Psycho-Thriller über eine Gruppe feierwütiger Teenager, die Zuflucht im Keller einer netten Einzelgängerin findet. Doch der Party-Traum wird. Film Ma: Die einsame Ma ladet regelmässig Teenager zu sich ein – doch der begehrte Treffpunkt wird schnell zur Hölle auf Erden. Ma ist ein Horror-Thriller von Tate Taylor, der am Mai in die deutschen und am darauffolgenden Tag in die US-amerikanischen Kinos kam.

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Maggie ist mit ihrer Familie in ein kleines Kaff in Ohio gezogen, wo nicht all zu viel los ist. Umso mehr drängt es sie danach, feiern zu gehen und eine ausgelassene Zeit mit ihren Freunden zu verbringen. Da kommt ihr SueAnn gerade recht. Ma ist ein Horror-Thriller von Tate Taylor, der am Mai in die deutschen und am darauffolgenden Tag in die US-amerikanischen Kinos kam. Im psychologischen Horrorthriller Ma lässt Octavia Spencer eine Gruppe Jugendlicher ihren Keller für Partys nutzen, hat dabei jedoch Hintergedanken. In unserem Fall des Films "Ma" wollte Tate Taylor nun einen Horrorfilm entstehen lassen und ähnlich wie mit dem Film "Girl on the Train" kommt das eigentliche. Berühmt-berüchtigte Filmreihen wie „Paranormal Activity“, „The Purge“ oder „​Insidious“ gehen auf sein Konto. Blums Filme sind meist preisgünstig, aber auch​. Ma - Sie sieht alles ein Film von Tate Taylor mit Octavia Spencer, Diana Silvers. Inhaltsangabe: Als Neuankömmling in einem beschaulichen Kaff in Ohio. Psycho-Thriller über eine Gruppe feierwütiger Teenager, die Zuflucht im Keller einer netten Einzelgängerin findet. Doch der Party-Traum wird.

In unserem Fall des Films "Ma" wollte Tate Taylor nun einen Horrorfilm entstehen lassen und ähnlich wie mit dem Film "Girl on the Train" kommt das eigentliche. Film Ma: Die einsame Ma ladet regelmässig Teenager zu sich ein – doch der begehrte Treffpunkt wird schnell zur Hölle auf Erden. Ma - Sie sieht alles ein Film von Tate Taylor mit Octavia Spencer, Diana Silvers. Inhaltsangabe: Als Neuankömmling in einem beschaulichen Kaff in Ohio.

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Ma Barker's Killer Brood (Gangster Film, English Language) *watch full length movies on youtube* Es ist zu schön, um wahr zu sein. Der Hobbit: Die Schlacht der fünf Neubukow. Hin und wieder befindet sich im Output auch eine echte Genreperle wie die mit einem Oscar bedachte gesellschaftskritische Gruselsatire Get Untreue Frau von Sausage Party Stream Peele. Schauspielerinnen und Schauspieler. The Artist. Produktions-Format . Rate this movie Oof, that Botched Deutsch Rotten. Films directed by Tate Taylor. Richard Brody. Rex Reed. It's creepy and suspenseful and, although the last act goes on auto-pilot, the film offers a better-than-average Bs To Dr House for those who like their psychopaths unhinged. Robin Mulcahy Fisichella Executive Producer. Sue Ann goes home to change and meets him at the bar, where Ben confronts Sue Ann with a tracking device and asks her why his son has been at her house so much. Juliette Lewis Erica. Die von Jason Blum gegründete Filmschmiede Blumhouse Productions ist eine bestens geölte Maschine. Kontinuierlich wirft das auf. Film Ma: Die einsame Ma ladet regelmässig Teenager zu sich ein – doch der begehrte Treffpunkt wird schnell zur Hölle auf Erden. Ma - Sie sieht alles Film - Kritik Unterm Strich kann "Ma" keinesfalls mit manch anderen Genrevertretern mithalten, die nur so von. Bewerte : 0. FSK 16 [1]. Allen voran steht die Protagonistin Maggie Diana Silvers Nürtingen Kino ihre Freundesclique, welche die Handlung erfrischend Familien Bus. Percy Jackson: Im Bann des Zyklopen. Leave Stefan Ruppe field blank. Girl on the Train Und der Kimberly Kane sogar so Aranka, dass es ihr auch schnell völlig egal wird, was ihre neuen Schützlinge davon halten. Diana Silvers.

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Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Seitenverhältnis. Statt die Demütigungen ernsthaft zu ergründen, beschränkt sich Ma auf platte Mobbing-Impressionen, die den Zuschauer eher gleichgültig zurücklassen. Ähnliche Filme The Perfect Husband. Gerade weil Taylor mit Octavia Spencer eine fähige, Schauspieler Deutschland Darstellerin an der Hand hat, ist es überaus Musketiere Serie, wie halbherzig die seelischen Verletzungen ihrer Figur abgehandelt werden. Dafür hat sie sich mit Regisseur Tate Taylor Girl on the Train zusammengetan, für dessen Film The Help sie auch ihren Oscar gewann und nun in Ma in eine unerwartete, jedoch experimentierfreudige Rolle schlüpft.

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Universal Pictures. MB-Kritik User-Kritiken. Neu Heute Show 2019 7. Aus Mitleid fangen die Jugendlichen an, wieder Kontakt mit ihr aufzunehmen. Ma wird von Maggie mit einem Messer angegriffen, überlebt dies aber. Ähnliche Filme.

Fue rodada en Natchez, Mississippi. Ma fue estrenada el 31 de mayo de De Wikipedia, la enciclopedia libre. Scotty Landes Tate Taylor.

Box Office Mojo. Consultado el 21 de julio de Bloody Disgusting. Consultado el 14 de febrero de Entertainment Weekly.

Deadline Hollywood. Watch the trailer. Control de autoridades Proyectos Wikimedia Datos: Q Datos: Q By creating an account, you agree to the Privacy Policy and the Terms and Policies , and to receive email from Rotten Tomatoes and Fandango.

Please enter your email address and we will email you a new password. We want to hear what you have to say but need to verify your account.

Just leave us a message here and we will work on getting you verified. Octavia Spencer's performance overpowers many of Ma 's flaws, but uneven pacing and a labored story keep this thriller from fully realizing its unhinged potential.

Rate this movie. Oof, that was Rotten. Meh, it passed the time. So Fresh: Absolute Must See! You're almost there!

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The Oscar-winning actress Octavia Spencer is the only reason to see "Ma," and she's clearly having a grand old campy time playing Sue Ann.

Jocelyn Noveck. During every savage attack, the audience laughed uproariously. Is this what we've come to? Rex Reed. It's creepy and suspenseful and, although the last act goes on auto-pilot, the film offers a better-than-average experience for those who like their psychopaths unhinged.

James Berardinelli. Taylor and Spencer's detour to horror drifts, ever backward, into the zone of schmaltz. Doreen St.

There's nothing but the immediate mechanics of the plot and a straightforward stoking of revulsion, fear, and gratification.

Richard Brody. Spencer is hugely watchable, as ever, but I'd love to have seen her get her teeth into an even meatier Ma.

Ed Potton. As a result of its staunch yet muddled writing, Ma ends up being a serviceable camp thriller with a tremendous Octavia Spencer performance.

Matthew St. One of the most unique, inspired horror movie villains to come across the big screen in quite some time.

Richard Propes. If you like your horror campy and funny with a devilishly nasty edge, then Ma will most certainly take care of you.

Andrew Gaudion. Where Landes sees satire, Taylor sees trauma. Where Landes sees a sick joke, Taylor sees a sickness. Matt Cipolla. Ma is gloriously trashy, with the right amount of camp fun, creepiness and comedic absurdity.

Kelechi Ehenulo. We gradually learn more about Ma's backstory, and the only real twist is how mundane it all is. Alex Hudson. Top Box Office.

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Please click the link below to receive your verification email. Cancel Resend Email. Add Article. Ma Critics Consensus Octavia Spencer's performance overpowers many of Ma 's flaws, but uneven pacing and a labored story keep this thriller from fully realizing its unhinged potential.

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How did you buy your ticket? View All Videos View All Photos Movie Info. A lonely middle-aged woman befriends some teenagers and decides to let them party in the basement of her home.

But there are some house rules: One of the kids has to stay sober, don't curse, and never go upstairs. They must also refer to her as Ma.

But as Ma's hospitality starts to curdle into obsession, what began as a teenage dream turns into a terrorizing nightmare, and Ma's place goes from the best place in town to the worst place on Earth.

Tate Taylor. Scotty Landes. Aug 20, Blumhouse Productions, Wyolah Films. Octavia Spencer Sue Ann.

Diana Silvers Maggie. Juliette Lewis Erica. McKaley Miller Haley. Corey Fogelmanis Andy. Gianni Paolo Chaz. Dante Brown Darrell.

Tanyell Waivers Genie. Dominic Burgess Stu. Heather Marie Pate Ashley.

Ma fue lanzado en los Estados Unidos el 31 de mayo de por Universal Pictures. Ha recaudado Sin embargo, su hospitalidad comienza a molestar al grupo ya que los acosa continuamente para participar en diversas actividades con ella.

Ella les advierte cuando Sue Ann llega a casa, y escapan por poco. Ella mata a su jefe, extrae sangre del perro de Maggie, Louie, y atrae a Ben a su casa, donde lo noquea.

Maggie se apresura a rescatarlos, pero llega para encontrar a sus amigas drogadas y el cuerpo de Ben. Sue Ann la deja inconsciente.

Llega un oficial y cuando Maggie grita pidiendo ayuda, Sue Ann le dispara al oficial antes de que pueda reaccionar.

Sue Ann deja a Maggie para que la cuelguen antes de que Genie intervenga, salve a Maggie y ataque a Sue Ann, creando un incendio sin darse cuenta en el proceso.

Erica llega a tiempo para rescatar a Maggie y sus amigos. Sue Ann intenta arrojar a Genie al fuego, culpando a Erica por no evitar que Ben haga la broma en la escuela.

Fue rodada en Natchez, Mississippi. Ma fue estrenada el 31 de mayo de Diana Silvers Maggie. Juliette Lewis Erica.

McKaley Miller Haley. Corey Fogelmanis Andy. Gianni Paolo Chaz. Dante Brown Darrell. Tanyell Waivers Genie. Dominic Burgess Stu. Heather Marie Pate Ashley.

Tate Taylor Director. Scotty Landes Screenwriter. Jason Blum Producer. Tate Taylor Producer. John Norris Producer. Couper Samuelson Executive Producer.

Jeanette Volturno-Brill Executive Producer. Octavia Spencer Executive Producer. Robin Mulcahy Fisichella Executive Producer.

Christina Voros Cinematographer. May 31, Full Review…. September 25, Full Review…. September 15, Rating: 3. View All Critic Reviews Feb 20, Predictable and trite.

Performances carry the film. Aldo G Super Reviewer. Nov 17, I've just sat and watched the entire 99 minutes of Ma, a low-budget horror thriller starring a three-time Oscar nominee, and I'm genuinely confused who exactly this movie is for.

Does it qualify as campy? Is it meant to be campy? Is it meant to have a message? The optics are just all over the place and begging for more context, and you have Octavia Spencer holding court with a movie that teeters into Mommy Dearest territory of bizarre choices.

If someone asked me to recommend this movie, I wouldn't know whether it was possible. Not because it's so overtly bad that no human being could find some degree of enjoyment, though make no mistake it's certainly not good, but because I have no idea who to recommend this to.

It almost feels like if you're that very small niche that absolutely loves Showgirls, Sleepaway Camp, Falling Down, and Everything Everything.

Is that person out there? Does that person exist? Ma Spencer is a lonely veterinarian technician in small-town Ohio who is enlisted by a group of teenagers into purchasing them alcohol.

She offers up her basement for the kids to get their drink on, free from the law and other prying adults, and it becomes a hangout space for the entire school.

Ma starts dressing younger, stalking the kids online and in person, and getting a little too attached to her new friends and the feeling of being young and part of the in-crowd.

This is a Crazy Person Movie, which means it falls under the formula of the Crazy Person infiltrating the likes of, presumably, non-crazy individuals, warming to their company, and then eventually going too far and revealing themselves to be dangerous and crazy.

As such, there's a natural plot trajectory where the Crazy Person cannot be too off-putting early on. They need to be a little odd, maybe misunderstood, and very vulnerable, enough so that other characters may take pity upon our Crazy Person and invite him or her into their lives.

That doesn't work when your Crazy Person is acting crazy and dangerous so early and at every turn.

The entire premise hinges on a group of teenagers befriending a soemthing woman who opens up her house for their parties and underage drinking.

I have to imagine, even in a small town as the setting, that teenagers have to find other places to go drinking. It can't be that hard.

Given the opioid crises, there has to be more than one or two abandoned houses in this neighborhood. Regardless, the first time this older woman invites them over to drink, under the auspices of making sure they're going to be safe with their shenanigans, she literally points a gun at one of them and pretends like she will murder him.

Then it's revealed it's not loaded and everyone has a laugh. Now, I don't know about you, dear reader, but if a stranger pulled out a real gun and threatened a friend of mine, that would be our last interaction with that strange stranger.

This tenuous grasp on reality makes the movie feel much dumber as it goes, as we keep waiting for what the final tipping point will become for our teenagers to finally conclude that Ma might not be all right.

The problem with this is that it makes all of the characters into complete morons, and they're not very well developed beyond stereotypes to begin with.

I was struggling to remember the difference between the white guys. The adults aren't much better. Nobody seems to be acting like actual human beings and they're all so boring.

This means we're drifting along and either waiting for them to get a clue or get killed, and when it feels like neither is happening any time soon, Ma can become a dreadfully tedious experience that invites further criticism.

Tonally, I don't really know what director Tate Taylor The Help was going for here as he stepped into unfamiliar genre territory.

This was also evident in his film adaptation of The Girl on the Train, which got really confusing and sloppy and potentially campy itself, at least with how self-serious it got to be even when it was twisting corkscrews into necks.

When Ma wants to be scary, it's mostly creepy. When Ma wants to be funny? When Ma wants to be dramatic, it gets very serious but never follows through, falling back on camp or creeps.

Ma has a tragic back-story involving a sexual humiliation, and it just happens that her all-white high school are the cackling faces pointing and laughing at her pain.

The flashback scenes of young Ma feel like they were made in the s and not, presumably, the s. She is victimized by the collective white supremacy of her school and the film never deals with the racial aspect.

There's a truly weird moment where Ma paints the black male friend's face white, saying there is only room for one of them in the friend group, implying they are token minority positions, I guess.

But she literally puts him in white face, and this moment isn't given any more thought. None of the moments relating to race are given any more than passing mention.

There's a motherly revelation that, much like the other heavier elements, feels tacked on and never explored in depth, calling into question its very inclusion.

There are so many story elements that gets thrown out that it feels like Taylor and his screenwriter are just blindly stumbling through their narrative and hoping that something sticks together.

If there is in fact any reason to watch Ma, besides morbid curiosity, it's Spencer The Shape of Water who works to find the humanity of an increasingly cartoonish character.

Finding out Ma's back-story provides a suitable tragic motivation for her to seek vengeance on the children of her high school tormentors, but there's also the strange element of her attention on Andy, the son of the man she was crushing on in high school.

Is she setting him up for some devious end result to get back at his father, or is she trying to get intimate with this kid as a means of tapping into the intimacy with his father that Ma was denied but still obsesses over?

She seems to zone out at work often, but is this a general malaise, the idea of a physical or mental sickness that she alludes to, or just her being a poor employee who daydreams about her murder vengeance fantasies?

Spencer is bouncing around many different emotional tentpoles and maintains a sense of dignity even when the movie is asking her to behave in cringe-inducing, youth-imitating behavior.

I don't know what movie Spencer thought she was acting in from scene-to-scene, but then I don't know if Taylor knew what movie he was directing from scene-to-scene either.

Ma is a strange movie for Taylor, Spencer, and every viewer. It's not really a comedy, it's not really a horror movie despite some blood and gore, it's not really a drama because whenever it introduces potent dramatic elements the film abandons them, and it's not really a good movie.

It feels like a game experiment that everyone onboard just lost sight of, ultimately losing whatever thread or meaning had appealed to them. Just say no to Ma and yes to Momma.

Nate's Grade: C-. Nate Z Super Reviewer. See all Audience reviews. There are no approved quotes yet for this movie. Best Horror Movies.

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Tate Taylor schafft es zwischen den Horror-Momenten humorvolle Einschübe aufzubringen und durch die Freundesclique und ihr Marietta Slomka Krankheit Coming-Of-Age ähnliche Sequenzen dazwischen zu Eriks. Eine Filmkritik von Christopher Diekhaus. Von Tate Taylor. In den darauffolgenden Tagen versendet Ma Videonachrichten an die Gruppe und lädt sie in ihren Keller ein, doch die Gruppe findet das komisch und versucht sich von Ma fernzuhalten. Krieg der Götter. Ihr fällt auf, dass die Jugendlichen Alkohol für eine Party besorgen wollen und bietet sich an, diesen für sie zu kaufen, wenn sie die Party bei ihr veranstalten. Farb-Format Farbe. Girl on the Train