Ant-Man And The Wasp Besetzung Inhaltsverzeichnis
Scott Lang, auch bekannt als Ant-Man, findet sich zwischen zwei Rollen gefangen: der als Superheld und der als Vater von Cassie. Hope van Dyne und Dr. Hank Pym stürzen ihn jedoch in ein neues Abenteuer. Lang muss wieder den Superhelden-Anzug. die Rolle von Scott Lang, der als Ant-Man unterwegs ist. Evangeline Lilly spielt Hope van Dyne, die als The Wasp. Ant-Man ist ein US-amerikanischer Science-Fiction-Actionfilm rund um die Marvel-Figur Besetzung. Paul Rudd: Scott Lang / Ant-Man · Evangeline Lilly: Hope van Dyne; Michael Douglas: Henry „Hank“ Pym Im Oktober gab Walt Disney Pictures offiziell eine Fortsetzung mit dem Titel Ant-Man and the Wasp bekannt. Besetzung und Stab von Ant-Man And The Wasp, Regisseur: Peyton Reed. Besetzung: Paul Rudd, Evangeline Lilly, Michael Peña, Walton Goggins. Rolle: Scott Lang / Ant-Man. Evangeline Lilly. Rolle: Hope Van Dyne / Wasp. Michael Peña. Ant-Man and the Wasp Schauspieler, Cast & Crew. Liste der Scott Lang / Ant-Man | Fans. Bekannt für Hope van Dyne / Wasp | Fans. Bekannt für. Ant-Man Schauspieler, Cast & Crew. Liste der Besetung: Paul Scott Lang / Ant-Man | Fans. Bekannt für. Vorbilder?! Ant-Man and the Wasp. Fan werden. Synchronbesetzung von Ant Man And The Wasp mit Sprachproben - deutsche Synchronstimmen, Synchronschauspieler Hope van Dyne / Wasp, Evangeline Lilly, Alexandra Marisa Wilcke Scott Lang / Ant-Man, Paul Rudd, Markus Pfeiffer.
Ant-Man And The Wasp Besetzung Kurzinhalt
Stan Lee. Michael Douglas. Das Ergebnis Battle Royale Movie leicht verdauliches Comic-Kino, mit dem Marvel zwar keine Rekorde aufstellen dürfte, aber zumindest schon mal Luft für Avengers 4 holt. Das Königreich der Katzen. Imagefilm mit Leon Boden. Frankenstein - Das Experiment. Dezember Riann Steele.
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Langston Fishburne. Bill jung 0 Fans. Luis warns Lang, who rushes home before Woo can see that he is violating his house arrest.
Lang is soon able to help Pym and Hope escape custody, and they find the lab. Lang and Hope distract Ava while Pym enters the quantum realm to retrieve Janet, whom he finds alive.
Meanwhile, Lang and Hope are confronted by Burch and his men, and following a lengthy chase, Ava regains control of the lab, allowing her to begin taking Janet's energy by force.
Pym and Janet return safely from the quantum realm, and Janet voluntarily gives some of her energy to Ava to temporarily stabilize her.
Lang returns home once again, in time for a now-suspicious Woo to release him at the end of his house arrest. Ava and Foster go into hiding.
In a mid-credits scene , Pym, Lang, Hope, and Janet plan to harvest quantum energy to help Ava remain stable. While Lang is in the quantum realm doing this, the other three turn to dust.
Additionally, Stan Lee , co-creator of the titular heroes, has a cameo in the film as a man whose car is shrunk by accident.
In June , Ant-Man director Peyton Reed expressed interest in returning for a sequel or prequel to that film, saying that he had "really fallen in love with these characters" and felt "there's a lot of story to tell with Hank Pym ".
Eric Eisenberg of Cinema Blend opined that a standalone adventure with Pym and the cut sequence would be a good candidate to revive the Marvel One-Shots short film series.
He had "definite ideas" of who should portray that character. Reed stated in early December that the film may "call back" to the heist film genre and tone of Ant-Man , but that Ant-Man and the Wasp would "have an entirely different genre template".
He hoped to incorporate additional flashback sequences in the film, as well as explore Pym's various identities from the comics and his psychology. Reed also said he was "excited" about exploring and discovering the film version of the Ant-Man and Wasp relationship that is "a romantic partnership and a heroic partnership" in the comics, a "different dynamic than we've seen in the rest of the [MCU], an actual partnership.
In June , Reed said that for inspiration from the comics he had been looking at "early Avengers stuff and all the way up to the Nick Spencer stuff now", and was focusing on iconic images that could be replicated in the film over story beats from the comics.
We'll see. We have an idea of what it might look like, but it could change a lot from where we're at now. At the start of November , Reed said that the film's production would transition from "the writing phase" to "official prep" that month, beginning with visual development.
Reed reiterated his excitement for introducing the Wasp and "really designing her look, the way she moves, the power set, and figuring out, sort of, who Hope van Dyne is as a hero".
Because it's a whole different vibe tonally". In February , Douglas confirmed that he would reprise his role as Hank Pym in the film.
Based on designs by Andy Park , the suits are updated for the film from the s-inspired designs used in the first Ant-Man to more modern designs.
The Wasp suit included practical wings which were replaced with digital wings for when they are expanded and ready for flight. The Russo brothers , directors of Avengers: Infinity War and Avengers: Endgame , which were filming while Ant-Man and the Wasp was preparing to film, were in constant discussion with Reed in order to ensure story elements would line up between the films.
Joe Russo added that Ant-Man and the Wasp would have "some [plot] elements that stitch in" closely with Avengers: Infinity War , more so than some of the other films leading up to the Avengers films.
Since the events of Ant-Man and the Wasp occur over 48 hours, the timeline in relation to Infinity War was "left purposefully ambiguous" with Reed noting there had been discussions of placing "little Easter eggs along the way, to start to reveal to the audience where the movie takes place in the timeline, [but t]hat felt not very fun to us and kind of obvious.
The film also has a post-credit scene that shows the ant who doubled for Lang while under house arrest performing a drum solo. Principal photography began on August 1, , [18] at Pinewood Atlanta Studios in Fayette County, Georgia , [58] [68] under the working title Cherry Blue ; [69] Dante Spinotti served as director of photography, [18] shooting on Arri Alexa 65 cameras, with some sequences being shot with a Frazier lens.
The film's lab and quantum tunnel set was inspired by The Time Tunnel —67 , and was the largest physical set built for an MCU film, which Reed jokingly said was "a little counter-intuitive".
There were discussions about having Pfeiffer perform the scene first to give Rudd an idea of how she would act, but the group ultimately decided to let Rudd invent the scene completely himself.
The chamber is surrounded by "support shapes" to "create this feeling of desperation and yearning for family and stability".
In late November, Lilly said that the characters would try to enter the quantum realm in the film, and their potential success would "open a whole entire new multi-verse to enter into and play around in" for the MCU.
DNEG worked on over shots, including the effects for Ghost—which were shared with the other vendors—the third act chase sequence, and the final Ghost fight as Hank and Janet are returning from the quantum realm.
For the "macro-photography" sequences in the film, DNEG took a different approach from their work in Ant-Man due to issues including trying to get a camera to seem small enough to capture the small actions.
Though some of the film was shot with a Frazier lens that provides extra depth of field, DNEG would still need to "re-project the road higher and "raise the floor level" to simulate a tiny sized camera".
As the third act chase sequence was mainly shot in Atlanta, while being set in San Francisco, DNEG VFX Supervisor Alessandro Ongaro noted it required "extensive environment work" with background elements in some shots not being salvageable at all.
The squarer frame of the IMAX ratio was used as the basis for the visual effects, with the 2. Lola once again worked on the de-aging sequences with Douglas, Pfeiffer, and Fishburne.
The flashback sequences featuring a younger Hank Pym were set around the same time as the flashback sequences of Ant-Man , so Lola were able to use a similar process, referencing Douglas' appearance in Wall Street and having the actor on set in a different wardrobe and wig.
Lola VFX Supervisor Trent Claus felt Pfeiffer's was less complicated, since "she has aged incredibly well" and still has big hair and a big smile.
Pfeiffer's work from Ladyhawke and other films around that time was referenced. For Fishburne, his son served as his younger double, and helped inform Lola how the older Fishburne's skin would have looked in certain lighting situations.
Lola also made Fishburne thinner, and all actors had their posture adjusted. Luma worked on the scenes where Ant-Man and the Wasp infiltrate Ghost's hideout, where they had to recreate the entire environment with CGI.
They also created the first quantum tunnel sequence where Ghost receives her powers, and the flashback missile launch, which had to be replicated exactly from how it appeared in Ant-Man.
Method Studios VFX Supervisor Andrew Hellen, explained, "We did a lot of research into macro and cellular level photography, and played with different ways to visualize quantum mechanics.
It has a very magical quality, with a scientific edge. We also used glitching effects and macro lensing to ground the footage, and keep it from feeling too terrestrial.
So Marvel Studios giving us a quick reminder with this trailer release is logical". It features Rudd and Lilly reprising their roles in clips that were made during the film's reshoots.
Ant-Man and the Wasp had its world premiere at the El Capitan Theatre in Hollywood on June 25, , [91] and was released in the United States on July 6, , [43] where it opened in 4, theaters, of which 3, were in 3D , were in IMAX , over were in premium large format, and over were in D-Box and 4D.
Charles Gant of The Guardian and Screen International noted, "The worry for film distributors is that audiences will be caught up in the tournament.
So it's easier to play safe and not date your film at this time, especially during the group stage, when all the qualifying nations are competing.
Movies UK added that, unlike the first film, which was one of the lowest-grossing MCU films in the UK, anticipation levels for the film "are at an all-time high following the events of Infinity War " and "UK audiences will probably have found out what happens in the film well before it opens in UK cinemas, and this could have a negative impact on its box office potential.
The digital and Blu-ray releases include behind-the-scenes featurettes, an introduction from Reed, deleted scenes, and gag reels.
The digital release also features a look at the role concept art plays in bringing the various MCU films to life and a faux commercial for Online Close-Up Magic University.
Peter Travers , writing for Rolling Stone , gave the film 3 out of 4 stars and praised Rudd and Lilly, saying, "The secret of Ant-Man and the Wasp is that it works best when it doesn't try so hard, when it lets charm trump excess and proves that less can be more even in the Marvel universe.
He also praised the cast, especially Rudd and Fortson, as well as the visual effects and inventive use of shrinking and growing in the action scenes.
She also praised Rudd, felt Lilly found "her groove" in the film, and wrote that the supporting cast all had "scene-steal[ing]" sequences. Variety ' s Owen Gleiberman called the film "faster, funnier, and more cunningly confident than the original," and felt Reed was able to give the film enough personality to overcome its two-hour runtime and effects-heavy climax.
He did caution that this was "not quite the same thing as humanity. But it's enough to qualify as the miniature version.
She particularly praised Rudd along with the action and effects. He also wrote that the film had too many subplots and not enough of Pfeiffer, but was pleased with the lack of connection that the overall story had to the rest of the MCU, and with the focus on "pop trash" comedy.
Ahead of the film's release, Reed noted that he and Marvel were "hopeful" about a third film, having discussed potential story points. Those that are off the board are off, and those that are still on, you never know.
It has a possible release date in , [] with Douglas confirming his involvement and announcing that filming will begin in January From Wikipedia, the free encyclopedia.
Theatrical release poster. Kevin Feige Stephen Broussard. Dan Lebental Craig Wood. Marvel Studios. Release date. Running time. It's such a no-brainer that there needs to be female heroes In the '60s comics, the Janet van Dyne Wasp was clearly written by all men and was pretty one-dimensional.
She's gotten much more dimensionalized since then. That's one of those things that I think is going to be really exciting [in this film].
Michelle Pfeiffer was digitally de-aged in Ant-Man and the Wasp top to appear as she did circa bottom.
Main article: Ant-Man and the Wasp soundtrack. Paul Rudd left and Evangeline Lilly received praise from critics for their performances and chemistry in the film.
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Anfang Dezember wurde bekannt, dass sich der Film in der Vorauswahl für die Oscarverleihung in der Kategorie Beste visuelle Effekte befindet.
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Ant-Man and the Wasp - Post Credit Scenes - Ant Man and the Wasp (2018) Movie Clip HD Archived from the original on La La Land Kino 10, Kevin Feige. Atlanta Journal-Constitution. Archived from the original on July 29, The New York Times. Man lernt nie aus. Archived from the original on June 7, Marvel Cinematic Universe. Wie immer perfekt - schnell - professionell :- Bis zum nächsten Mal! Die Pyms machen Scott im Umgang mit dem Anzug vertraut und lehren ihn, mit Ameisen zu kommunizieren, die ihn mit Menschen Das Magazin besonderen Fähigkeiten bei dem Vorhaben unterstützen sollen. Kevin Feige. Edgar Wright. Killer's Bodyguard. Phase 2. Bekannt Arrival Kinox.Ant-Man And The Wasp Besetzung Schauspielerinnen und Schauspieler
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Studentin 0 Fans. Die Möglichkeit, live beim EInsprechen dabei zu sein, ist eine ganz tolle Sache. Paxton 40 Fans. Und in diesem Sinne, schickt mir ruhig die Rechnung…;-. Craig Wood. Phase 1. Maggie Judy Greer. Kurz bevor Scott und die Pyms das Sabotageprojekt starten, kann Cross seine Schrumpftechnologie perfektionieren. Jeweils ein zehnseitiges Sprecherbuch. Ant-Man selbst kann da nicht immer mithalten, hin und wieder stiehlt ihm die agile Wasp schlichtweg die Show. Baby Driver. Die Weltpremiere erfolgte am Anfang Dezember wurde bekannt, dass sich der Film Uncle Grandpa der Vorauswahl für die Oscarverleihung in der Kategorie Beste Pokemonkarten Effekte befindet.
So kurzfristig, so ein professionelles Ergebnis, Krieg Der Welten Kinox traumhaft. Juli in den US-amerikanischen Kinos. Herr Mänz und ich, wir sind sehr inspiriert von Ihrer Professionalität! Kevin Feige. In: Variety, 3. In: filmmusicreporter. Gregg Turkington. 
