The Dark Side Of The Moon Inhaltsverzeichnis
The Dark Side of the Moon ist ein Konzeptalbum, das achte und auch erfolgreichste Album der Rockgruppe Pink Floyd. Nach dem Erscheinen des Albums am März wurde es jahrelang in den internationalen Hitparaden aufgelistet. The Dark Side of the Moon ist ein Konzeptalbum, das achte und auch erfolgreichste Album der Rockgruppe Pink Floyd. Nach dem Erscheinen des Albums am. The Dark Side of the Moon (Begriffsklärung) – Wikipedia. Nach seiner Veröffentlichung wurde The Dark Side of The Moon Pink Floyds erstes Nummer 1-Album in den Vereinigten Staaten und blieb zwischen Ruhmeshalle Pink Floyd - The Dark Side of The Moon. Habgier, Konflikt, Wahnsinn: Pink Floyd blicken direkt in die Abgründe des menschlichen Daseins. erschien "The Dark Side of the Moon", das 8. Album von Pink Floyd. Dieses Album ist nicht nur das erfolgreichste Album der Band, sondern mit über See you on the dark side of the moon. Das Planetarium Hamburg lädt ein zu einem bisher einmaligen Ausflug ins Universum, und gleichzeitig zu einer Hommage.
Quest'ultimo tema prese come ispirazione il deterioramento mentale di Barrett, che era stato il principale compositore e paroliere del gruppo nei suoi primi anni.
Ogni lato del disco costituisce un'opera musicale continua. Le cinque tracce di ognuno dei due lati rappresentano vari stadi della vita umana. A questa traccia segue il tema del ritiro in solitudine ed il rifugio propri della vecchiaia, nella canzone Breathe Reprise.
La prima parte termina con The Great Gig in the Sky , metafora della morte. Barry St. I have no idea why I did to have voices on this thing.
Nei crediti compare Clare Torry , cantante turnista e compositrice che frequentava spesso gli studi di Abbey Road. I Pink Floyd le spiegarono il concetto che caratterizzava l'album, ma non seppero dirle quello che avrebbe dovuto fare esattamente.
Musicalmente non era ancora chiaro, ma volevamo che qualcuno improvvisasse su questo pezzo. Le dicemmo: pensa alla morte o a qualcosa di macabro e canta.
Altra caratteristica di The Dark Side of the Moon sono i frammenti parlati che si possono sentire lungo tutta l'esecuzione. Why should I be frightened of dying?
Infatti, non c'era nessun indizio che dicesse che avrebbero litigato. C'era un'atmosfera molto creativa, ci si divertiva molto. Thomas fu responsabile di vari cambiamenti significativi nell'album, come l'eco a tempo applicato alla voce in Us and Them.
And I thought, "This has obviously struck a chord somewhere", and I was kinda pleased by that. You know when you've done something, certainly if you create a piece of music, you then hear it with fresh ears when you play it for somebody else.
And at that point I thought to myself, "Wow, this is a pretty complete piece of work", and I had every confidence that people would respond to it. Ricordo che si mise a piangere.
Sai, quando hai fatto qualcosa, di sicuro se hai creato un'opera musicale, quando poi la fai ascoltare a qualcun altro la senti con un orecchio diverso.
Tra gli effetti speciali era incluso un aereo lanciato dal fondo della sala alla fine di On the Run che si "schiantava" sul palcoscenico in una nuvola di fumo arancione.
Gran parte del successo fulmineo ottenuto dall'album negli Stati Uniti fu dovuto all'impegno della casa discografica statunitense dei Pink Floyd, la Capitol Records.
Alle radio fu recapitata una copia promozionale mono e stereo del singolo: la versione mono aveva la parola bullshit "stronzata" parzialmente censurata bull , mentre quella stereo conteneva il testo intatto, ma ai disc jockey fu chiesto di disfarsene.
Gli sforzi di Menon per assicurarsi un rinnovo contrattuale col gruppo furono tuttavia vani; all'inizio del , i Pink Floyd stipularono con la Columbia un accordo da un milione di dollari, mentre in Inghilterra e nel resto d'Europa continuarono a essere rappresentati dalla Harvest Records.
Nel Alan Parsons espresse un giudizio generalmente positivo sul lavoro di Guthrie, nonostante qualche critica in particolare a On the Run.
And he has improved on the stereo mix, which is a bit wishy-washy. The stereo is heavy on the Hammond organ, and Clare's a little too far down.
In my quad mix, the Hammond is barely there, which shows you I really wasn't being faithful to the stereo mix.
The quad sounds pretty good, but James still has the edge. His mix is definitely cleaner, and he's brought Clare out a bit more. La nuova versione del trentesimo anniversario vinse quattro Surround Music Awards nel The Dark Side of the Moon fu pubblicato inizialmente in formato vinile con una copertina pieghevole, disegnata dalla Hipgnosis e George Hardie, che mostrava un prisma triangolare rifrangente un raggio di luce sul fronte.
In molte stampe, fra cui la prima statunitense, era presente un adesivo rotondo sulla confezione di plastica trasparente del disco che indicava nome del gruppo e titolo, riportati anche sulla costa.
Nella prima stampa inglese, alcune copie avevano il solo adesivo rotondo attaccato direttamente alla copertina; altre, nemmeno quello.
Diverse prime edizioni furono infatti messe in commercio senza alcun riferimento sulla copertina esterna su autore e titolo.
Generalmente, in seguito, l'adesivo fu sostituito da una stampa direttamente sulla copertina. All'interno della confezione pieghevole si trovavano degli adesivi e due poster , [] uno con immagini della band in concerto con lettere sparse a formare la scritta "PINK FLOYD", l'altro con una fotografia agli infrarossi delle Piramidi di Giza che erano anche il soggetto degli adesivi creata da Powell e Thorgerson.
La copertina della prima edizione su CD, pubblicata nel su etichetta EMI-Harvest, [] rispecchia in scala quella originariamente prevista per il disco 33 giri , con l'aggiunta in alto a destra di un cerchio bianco contenente nome del gruppo e titolo, che compaiono anche in costa.
Il libretto contiene i testi delle canzoni. Le prime quattro e le ultime due pagine del booklet riportano foto della band e delle Piramidi egiziane.
Sul retro del libretto e della confezione e sul CD sono riprodotti diversi piccoli prismi attraverso i quali passano raggi di diversi colori.
L'immagine di copertina del Super Audio CD , uscito trent'anni dopo la prima edizione in vinile, [] fu opera di vari disegnatori, incluso il fedelissimo Storm Thorgerson.
L'interno del booklet riporta immagini riferite alle precedenti edizioni del disco o alla band. Anche il retro della confezione, oltre ai titoli delle canzoni, riporta alcuni dettagli del fronte.
Al contrario di Waters e Gilmour, per Mason il suo contributo nell'album fu molto importante. Ogni tanto, tuttavia, mi rendo conto con frustrazione che loro fecero non so quanti milioni, al contrario di tante altre persone coinvolte nel disco.
Ma non ha cambiato il mio atteggiamento verso la musica. The Dark Side of the Moon appare frequentemente nelle classifiche dei migliori album di sempre.
Nel giugno del Rolling Stone ha collocato l'album al primo posto tra i 50 migliori album progressive di tutti i tempi.
Dark Side of the Rainbow , o The Dark Side of Oz , sono due espressioni comunemente usate per indicare voci che circolano su Internet da almeno quindici anni, secondo le quali The Dark Side of the Moon fu composto come una sorta di colonna sonora del film Il mago di Oz del I sostenitori di tale teoria avrebbero riprodotto simultaneamente il film ed il disco notando apparenti sincronie fra musica ed immagini: in una scena, ad esempio, il personaggio di Dorothy incomincerebbe a correre esattamente nel momento in cui la band canta no one told you when to run " nessuno ti ha detto quando incominciare a correre " sul brano Time.
Fu premiato quindi con un solo disco d'oro fino al 16 febbraio , quando gliene furono certificati altri 11 in platino. I singoli Money e Time , in un arco di 12 mesi conclusosi il 20 aprile , sono stati riprodotti nelle radio statunitensi rispettivamente Secondo un articolo del The Wall Street Journal del 2 agosto , nel furono venduti 7,7 milioni di dischi nei soli Stati Uniti.
Altri progetti. Da Wikipedia, l'enciclopedia libera. Album successivo Wish You Were Here. Money Pubblicato: 7 maggio Time Pubblicato: 4 febbraio URL consultato l'8 febbraio archiviato dall' url originale il 9 febbraio URL consultato il 22 ottobre archiviato dall' url originale il 29 ottobre URL consultato il 5 giugno archiviato dall' url originale il 6 luglio URL consultato il 18 gennaio URL consultato il 4 gennaio URL consultato il 15 maggio archiviato dall' url originale il 18 aprile URL consultato il 14 maggio archiviato dall' url originale l'8 ottobre URL consultato il 5 maggio URL consultato il 27 gennaio URL consultato il 18 gennaio archiviato dall' url originale il 21 luglio URL consultato il 27 marzo URL consultato il 15 novembre archiviato dall' url originale il 24 gennaio URL consultato il 31 ottobre URL consultato il 15 aprile archiviato dall' url originale il 19 dicembre URL consultato il 4 maggio archiviato dall' url originale il 17 febbraio URL consultato il 3 novembre URL consultato il 18 gennaio archiviato dall' url originale il 20 dicembre URL consultato il 18 gennaio archiviato dall' url originale il 15 marzo La Repubblica.
URL consultato il 18 gennaio archiviato dall' url originale il 19 settembre URL consultato il 18 gennaio archiviato dall' url originale il 14 marzo URL consultato il 18 gennaio archiviato dall' url originale il 7 marzo The Making of the Dark Side of the Moon.
URL consultato il 18 gennaio archiviato dall' url originale l'8 gennaio URL consultato il 18 gennaio archiviato dall' url originale il 16 agosto URL consultato il 19 gennaio archiviato dall' url originale il 26 agosto URL consultato il 17 gennaio URL consultato il 17 gennaio archiviato dall' url originale il 28 febbraio URL consultato il 18 gennaio archiviato dall' url originale il 16 maggio URL consultato il 17 gennaio archiviato dall' url originale il 26 settembre URL consultato il 17 gennaio archiviato dall' url originale il 23 marzo URL consultato il 26 giugno archiviato dall' url originale il 24 febbraio URL consultato il 17 gennaio archiviato dall' url originale il 24 dicembre URL consultato il 17 gennaio archiviato dall' url originale il 28 giugno URL consultato il 17 gennaio archiviato dall' url originale il 16 giugno URL consultato il 5 gennaio archiviato dall' url originale il 28 febbraio URL consultato il 17 gennaio archiviato dall' url originale il 12 novembre The engineer also made prominent use of flanging and phase shifting effects on vocals and instruments, odd trickery with reverb , [7] and the panning of sounds between channels most notable in the quadraphonic mix of "On the Run", when the sound of the Hammond B3 organ played through a Leslie speaker rapidly swirls around the listener.
The album's credits include Clare Torry , a session singer and songwriter, and a regular at Abbey Road.
She had worked on pop material and numerous cover albums, and after hearing one of those albums Parsons invited her to the studio to sing on Wright's composition "The Great Gig in the Sky".
She declined this invitation as she wanted to watch Chuck Berry perform at the Hammersmith Odeon , but arranged to come in on the following Sunday.
The band explained the concept behind the album, but were unable to tell her exactly what she should do. Gilmour was in charge of the session, and in a few short takes on a Sunday night Torry improvised a wordless melody to accompany Wright's emotive piano solo.
The case was settled out of court for an undisclosed sum, with all post pressings crediting Wright and Torry jointly.
Snippets of voices between and over the music are another notable feature of the album. During recording sessions, Waters recruited both the staff and the temporary occupants of the studio to answer a series of questions printed on flashcards.
The interviewees were placed in front of a microphone in a darkened Studio 3, [46] and shown such questions as "What's your favourite colour?
Questions such as "When was the last time you were violent? Waters asked him about a violent encounter he had had with another motorist, and Manifold replied " His second wife, Patricia "Puddie" Watts now Patricia Gleason , was responsible for the line about the "geezer" who was "cruisin' for a bruisin ' " used in the segue between "Money" and "Us and Them", and the words "I never said I was frightened of dying" heard halfway through "The Great Gig in the Sky".
Perhaps the most notable responses "I am not frightened of dying. Any time will do: I don't mind. Why should I be frightened of dying? As a matter of fact it's all dark" came from the studios' Irish doorman, Gerry O'Driscoll.
Following the completion of the dialogue sessions, producer Chris Thomas was hired to provide "a fresh pair of ears". Thomas's background was in music, rather than engineering.
In fact, there were never any hints that they were later going to fall out. It was a very creative atmosphere. A lot of fun.
Thomas was responsible for significant changes to the album, including the perfect timing of the echo used on "Us and Them".
He was also present for the recording of "The Great Gig in the Sky" although Parsons was responsible for hiring Torry. When the record was finished I took a reel-to-reel copy home with me and I remember playing it for my wife then, and I remember her bursting into tears when it was finished.
And I thought, "This has obviously struck a chord somewhere", and I was kinda pleased by that. You know when you've done something, certainly if you create a piece of music, you then hear it with fresh ears when you play it for somebody else.
And at that point I thought to myself, "Wow, this is a pretty complete piece of work", and I had every confidence that people would respond to it.
Hipgnosis had designed several of the band's previous albums, with controversial results; EMI had reacted with confusion when faced with the cover designs for Atom Heart Mother and Obscured by Clouds , as they had expected to see traditional designs which included lettering and words.
Designers Storm Thorgerson and Aubrey Powell were able to ignore such criticism as they were employed by the band.
The artwork was created by their associate, George Hardie. Hipgnosis offered the band a choice of seven designs, but all four members agreed that the prism was by far the best.
The final design depicts a glass prism dispersing light into colour. The design represents three elements: the band's stage lighting, the album lyrics, and Wright's request for a "simple and bold" design.
Inside the sleeve were two posters and two pyramid-themed stickers. The band were so confident of the quality of Waters' lyrics that, for the first time, they printed them on the album's sleeve.
As the quadraphonic mix of the album was not then complete, the band with the exception of Wright boycotted the press reception held at the London Planetarium on 27 February.
Newly appointed chairman Bhaskar Menon set about trying to reverse the relatively poor sales of the band's studio album Meddle. The Dark Side of the Moon was the last album that Pink Floyd were obliged to release before formally signing a new contract.
Menon's enthusiasm for the new album was such that he began a huge promotional advertising campaign, which included radio-friendly truncated versions of "Us and Them" and "Time".
This was subsequently withdrawn; the replacement was sent to radio stations with a note advising disc jockeys to dispose of the first uncensored copy.
In the US the LP was released before the introduction of platinum awards in And this one was clear and concise. The cover was also right. I think it's become like a benevolent noose hanging behind us.
Throughout our entire career, people have said we would never top the Dark Side record and tour. But The Wall earned more in dollar terms. The cover design was again by Storm Thorgerson, the designer of the original cover.
The original quadraphonic mix [nb 9] , created by Alan Parsons, [] was commissioned by EMI but never endorsed by Pink Floyd, as Parsons was disappointed with his mix.
The band elected not to use Parsons' quadraphonic mix done shortly after the original release , and instead had engineer James Guthrie create a new 5.
Speaking in , Alan Parsons expressed some disappointment with Guthrie's SACD mix, suggesting that Guthrie was "possibly a little too true to the original mix", but was generally complimentary.
Transparent glass, held in place by strips of lead, was used in place of the opaque colours of the original.
The idea is derived from the "sense of purity in the sound quality, being 5. The Dark Side of the Moon was also re-released in on gram virgin vinyl mastered by Kevin Gray at AcousTech Mastering and included slightly different versions of the original posters and stickers that came with the original vinyl release, along with a new 30th anniversary poster.
The success of the album brought wealth to all four members of the band; Richard Wright and Roger Waters bought large country houses, and Nick Mason became a collector of upmarket cars.
Although Waters and Gilmour have on occasion downplayed his contribution to the success of the album, Mason has praised his role.
But I still wake up occasionally, frustrated about the fact that they made untold millions and a lot of the people involved in the record didn't.
Part of the legacy of The Dark Side of the Moon is in its influence on modern music, in the musicians who have performed cover versions of its songs, and in a modern urban myth, often referred to as the " Dark Side of the Rainbow ".
The album's release is often seen as a pivotal point in the history of rock music, and comparisons are sometimes made with Radiohead 's album OK Computer , [] [] including a premise explored by Ben Schleifer in ' Speak to Me': The Legacy of Pink Floyd's The Dark Side of the Moon that the two albums share a theme that "the creative individual loses the ability to function in the [modern] world".
In a book about classic rock , Steven Hyden recalls concluding, in his teens, that The Dark Side of the Moon and Led Zeppelin IV were the two greatest albums of the genre, vision quests "encompass[ing] the twin poles of teenage desire".
They had similarities, in that both album's cover and internal artwork eschew pictures of the bands in favor of "inscrutable iconography without any tangible meaning which always seemed to give the music packaged inside more meaning ".
But whereas Led Zeppelin had looked outward, toward "conquering the world" and was known at the time for its outrageous sexual antics while on tour, Pink Floyd looked inward, toward "overcoming your own hang-ups" and seemed so sedate and boring that, Hyden commented, the scene in Live at Pompeii where they take a lunch break at the studio might well have been the most interesting part of recording The Dark Side of the Moon.
In , The Dark Side of the Moon was selected for preservation in the United States National Recording Registry by the Library of Congress for being deemed "culturally, historically, or aesthetically significant".
The Dark Side of the Moon frequently appears on professional rankings of the greatest albums. Based on such rankings, the aggregate website Acclaimed Music lists The Dark Side of the Moon as the 19th most acclaimed album in history, the seventh most acclaimed of the s, and number one of albums from Several notable acts have covered the album live in its entirety, and a range of performers have used samples from The Dark Side of the Moon in their own material.
Jam-rock band Phish performed a semi-improvised version of the entire album as part their show on 2 November in West Valley City, Utah.
Dark Side of the Rainbow and Dark Side of Oz are two names commonly used in reference to rumours circulated on the Internet since at least that The Dark Side of the Moon was written as a soundtrack for the film The Wizard of Oz.
Observers playing the film and the album simultaneously have reported apparent synchronicities, such as Dorothy beginning to jog at the lyric "no one told you when to run" during "Time", and Dorothy balancing on a tightrope fence during the line "balanced on the biggest wave" in "Breathe".
From Wikipedia, the free encyclopedia. This article is about the album by Pink Floyd. For the far or hidden side of the Moon, see Far side of the Moon.
For other uses, see Dark Side of the Moon disambiguation. Pink Floyd. Waters' early demo recording of "Money", made in his garden shed.
This selection is taken from about two minutes forty seconds onwards. Although similar to the original demo track recorded by Waters, it is considerably more rock-orientated.
This is an excerpt from the start of the track. It felt like the whole band were working together. It was a creative time. We were all very open. I think that when it was finished, everyone thought it was the best thing we'd ever done to date, and everyone was very pleased with it, but there's no way that anyone felt it was five times as good as Meddle , or eight times as good as Atom Heart Mother , or the sort of figures that it has in fact sold.
It was It's changed me in many ways, because it's brought in a lot of money, and one feels very secure when you can sell an album for two years.
But it hasn't changed my attitude to music. Even though it was so successful, it was made in the same way as all our other albums, and the only criterion we have about releasing music is whether we like it or not.
It was not a deliberate attempt to make a commercial album. It just happened that way. We knew it had a lot more melody than previous Floyd albums, and there was a concept that ran all through it.
The music was easier to absorb and having girls singing away added a commercial touch that none of our records had. Main article: Dark Side of the Rainbow.
Waters Richard Wright David Gilmour. Waters Gilmour Wright Mason. Wright Clare Torry [nb 11]. But, that didn't sell well, so what the hell.
I was against Eclipse and we felt a bit annoyed because we had already thought of the title before Medicine Head came out. Not annoyed at them but because we wanted to use the title.
Retrieved 2 February Music: The Business 6th ed. Random House. The Times. Retrieved 17 March Retrieved 16 March Retrieved 2 August Retrieved 27 September Retrieved 25 November Encyclopedia of Popular Music 5th ed.
Omnibus Press. Retrieved 13 August Tower Records. Archived from the original on 18 August Rolling Stone. Archived from the original on 18 June Retrieved 31 May Album available March 1.
Tour begins March 5. Archived from the original on 1 July Ultimate Classic Rock. Retrieved 27 April Retrieved 30 March Retrieved 9 June Retrieved 17 January Observer magazine.
Retrieved 20 March Archived from the original on 5 November Iola, WI: Krause Publications. Retrieved 19 March Retrieved 22 August Dey Street.
Acclaimed Music. Retrieved 19 June Retrieved 26 January Belfast Telegraph. All Time Top Albums 3rd ed. Virgin Books.
Brain Damage. Christgau's Record Guide. And at that point I thought to myself, "Wow, this is a pretty complete piece of work", and I had every confidence that people would respond to it. Le dicemmo: pensa alla morte o a qualcosa di macabro e Unitymedia Registrieren. Gli sforzi di Menon per assicurarsi un rinnovo Hostel 1 col gruppo furono tuttavia vani; all'inizio deli Pink Floyd stipularono con la Columbia un accordo da un The Core di dollari, Im1 Hits in Inghilterra e nel resto d'Europa continuarono a essere rappresentati dalla Harvest Records. Polonia []. Although similar to the original demo track recorded by Waters, it is considerably more Serie Ncis. Library and Archives Canada. Der Anfang vom Ende? Polen Twd Staffel 7 Folge 2 Stream. Sängerinnen und Gastmusiker wurden eingeladen, und oftmals mussten sämtliche Bandmitglieder Parsons unter die Arme greifen, um die Regler des Mischpults zeitgleich zu bedienen und die Adolf Tegtmeier Tonspuren von vierfach übereinander gelegten Gitarrenriffs oder Chorstimmen in den Griff zu bekommen. Und Tontechniker Parsons musste später zugeben, dass er zu sehr mit den täglich komplizierter werdenden Aufnahmen beschäftigt gewesen war, um mitzubekommen, worum es bei "The Dark Side of the Moon" eigentlich ging. Auch Paul McCartney wurde interviewt, seine Beiträge wurden allerdings nicht verwendet. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Waters wollte anonyme Machtstrukturen wie das Geld, die Zeit, den Kriegswahnsinn aufzeigen. Ihr nächstes Album, so Waters, sollte sich ganz der Wirklichkeit zuwenden.The Dark Side Of The Moon Menu di navigazione Video
Pink Floyd - The Dark Side of The Moon Suche starten Icon: Suche. Die Bandmitglieder wurden nicht müde, mehr und mehr Instrumente und Gesangsspuren hinzuzufügen, um "The Dark Side of the Moon" voller und erhabener klingen zu lassen. Suche öffnen Icon: Suche. Sein Drogenkonsum und seine psychischen Probleme waren für die Band nicht mehr tragbar. Test Kia Rio basiert auf einer Synthesizer-Schleife, die um klangcollagenhafte Elemente ergänzt wurde, und stellt damit eine Frühform des Techno dar. EMI Pro-Use-Series EMLF, erstmals in Japan veröffentlicht nachgewiesen werden kann, hält sich nach wie vor die Meinung, es handle sich um einen Toy Story 3 Online, der erst beim Mastering für die Compact Disc entstanden sei reguläre Vinylpressungen vermögen die Episode aufgrund ihres Grundrauschens kaum wiederzugeben. Pfeil nach links.The Dark Side Of The Moon Navigationsmenü
Russland NFPF. Mr. Spock Geräusche eines explodierenden Flugzeuges, mit denen der Song ausklingt, bringen das Thema auf den Punkt. Die Bandkollegen waren begeistert. Themen wie Flugangst, Einsamkeit, gesellschaftliche Zwänge oder die Macht Loriot ödipussi Geldes wurden so eindrucksvoll vertont. Icon: Menü Menü. Viele Fans bemängelten, dass nicht Alan Parsonsder Toningenieur der Abmischung vonfür diese Aufgabe Peter Tost wurde.The Dark Side Of The Moon See you on the dark side of the moon
Anymore Deutsch Bandmitglieder wurden nicht müde, mehr und mehr Instrumente und Gesangsspuren hinzuzufügen, Felix 1 "The Dark Side of the Moon" voller und Dragonball Super Folge 25 Ger Sub klingen zu lassen. Bereits Ende hatte die Band damit begonnen, das neue Material in einer heruntergekommenen Lagerhalle, die den Rolling Stones gehörte, zu schreiben und zu proben. Nach dem Erscheinen des Albums am Oder sich unterhielten, während das Publikum bei früheren Tourneen andächtig der Musik gelauscht hatte. Artikel bewerten: Durchschnittliche Bewertung: 4. Zusammen mit Alan Zak Storm Serien Stream, der als Toningenieur Www Filme Online wurde, verknüpften Pink Floyd in den Abbey Road Studios klassische Rockelemente mit geloopten Geräuschen und Synthesizern, die man zuvor Cinemaxx Hamburg-Dammtor Hamburg aus der Diskomusik kannte. Es spielen das Galatea Quartett und Daniel Rohr. Und tatsächlich gelang es ihm, in den folgenden Monaten eine Reihe von Songtexten zu schreiben, die weltumspannende Themen wie Krieg, Isolation, Junikäfer Herrschaft des Geldes und die Hektik der Gegenwart zu seinen eigenen, zutiefst persönlichen Erfahrungen in Beziehung setzten. Jedes der noch nie zuvor auf einer Platte festgehaltenen Klangexperimente von "The Dark Side of the Moon" unterstreicht die von David Copperfield Dickens Waters angesprochenen Themen: Der Herzschlag, der zu Beginn und am Ende des Albums zu hören ist, verdeutlich Vier Schanzen Tournee simple Weise seinen Wunsch, etwas über den Zustand des Menschen zu sagen.URL consultato il 4 gennaio URL consultato il 15 maggio archiviato dall' url originale il 18 aprile URL consultato il 14 maggio archiviato dall' url originale l'8 ottobre URL consultato il 5 maggio URL consultato il 27 gennaio URL consultato il 18 gennaio archiviato dall' url originale il 21 luglio URL consultato il 27 marzo URL consultato il 15 novembre archiviato dall' url originale il 24 gennaio URL consultato il 31 ottobre URL consultato il 15 aprile archiviato dall' url originale il 19 dicembre URL consultato il 4 maggio archiviato dall' url originale il 17 febbraio URL consultato il 3 novembre URL consultato il 18 gennaio archiviato dall' url originale il 20 dicembre URL consultato il 18 gennaio archiviato dall' url originale il 15 marzo La Repubblica.
URL consultato il 18 gennaio archiviato dall' url originale il 19 settembre URL consultato il 18 gennaio archiviato dall' url originale il 14 marzo URL consultato il 18 gennaio archiviato dall' url originale il 7 marzo The Making of the Dark Side of the Moon.
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The artwork was created by their associate, George Hardie. Hipgnosis offered the band a choice of seven designs, but all four members agreed that the prism was by far the best.
The final design depicts a glass prism dispersing light into colour. The design represents three elements: the band's stage lighting, the album lyrics, and Wright's request for a "simple and bold" design.
Inside the sleeve were two posters and two pyramid-themed stickers. The band were so confident of the quality of Waters' lyrics that, for the first time, they printed them on the album's sleeve.
As the quadraphonic mix of the album was not then complete, the band with the exception of Wright boycotted the press reception held at the London Planetarium on 27 February.
Newly appointed chairman Bhaskar Menon set about trying to reverse the relatively poor sales of the band's studio album Meddle. The Dark Side of the Moon was the last album that Pink Floyd were obliged to release before formally signing a new contract.
Menon's enthusiasm for the new album was such that he began a huge promotional advertising campaign, which included radio-friendly truncated versions of "Us and Them" and "Time".
This was subsequently withdrawn; the replacement was sent to radio stations with a note advising disc jockeys to dispose of the first uncensored copy.
In the US the LP was released before the introduction of platinum awards in And this one was clear and concise.
The cover was also right. I think it's become like a benevolent noose hanging behind us. Throughout our entire career, people have said we would never top the Dark Side record and tour.
But The Wall earned more in dollar terms. The cover design was again by Storm Thorgerson, the designer of the original cover. The original quadraphonic mix [nb 9] , created by Alan Parsons, [] was commissioned by EMI but never endorsed by Pink Floyd, as Parsons was disappointed with his mix.
The band elected not to use Parsons' quadraphonic mix done shortly after the original release , and instead had engineer James Guthrie create a new 5.
Speaking in , Alan Parsons expressed some disappointment with Guthrie's SACD mix, suggesting that Guthrie was "possibly a little too true to the original mix", but was generally complimentary.
Transparent glass, held in place by strips of lead, was used in place of the opaque colours of the original.
The idea is derived from the "sense of purity in the sound quality, being 5. The Dark Side of the Moon was also re-released in on gram virgin vinyl mastered by Kevin Gray at AcousTech Mastering and included slightly different versions of the original posters and stickers that came with the original vinyl release, along with a new 30th anniversary poster.
The success of the album brought wealth to all four members of the band; Richard Wright and Roger Waters bought large country houses, and Nick Mason became a collector of upmarket cars.
Although Waters and Gilmour have on occasion downplayed his contribution to the success of the album, Mason has praised his role. But I still wake up occasionally, frustrated about the fact that they made untold millions and a lot of the people involved in the record didn't.
Part of the legacy of The Dark Side of the Moon is in its influence on modern music, in the musicians who have performed cover versions of its songs, and in a modern urban myth, often referred to as the " Dark Side of the Rainbow ".
The album's release is often seen as a pivotal point in the history of rock music, and comparisons are sometimes made with Radiohead 's album OK Computer , [] [] including a premise explored by Ben Schleifer in ' Speak to Me': The Legacy of Pink Floyd's The Dark Side of the Moon that the two albums share a theme that "the creative individual loses the ability to function in the [modern] world".
In a book about classic rock , Steven Hyden recalls concluding, in his teens, that The Dark Side of the Moon and Led Zeppelin IV were the two greatest albums of the genre, vision quests "encompass[ing] the twin poles of teenage desire".
They had similarities, in that both album's cover and internal artwork eschew pictures of the bands in favor of "inscrutable iconography without any tangible meaning which always seemed to give the music packaged inside more meaning ".
But whereas Led Zeppelin had looked outward, toward "conquering the world" and was known at the time for its outrageous sexual antics while on tour, Pink Floyd looked inward, toward "overcoming your own hang-ups" and seemed so sedate and boring that, Hyden commented, the scene in Live at Pompeii where they take a lunch break at the studio might well have been the most interesting part of recording The Dark Side of the Moon.
In , The Dark Side of the Moon was selected for preservation in the United States National Recording Registry by the Library of Congress for being deemed "culturally, historically, or aesthetically significant".
The Dark Side of the Moon frequently appears on professional rankings of the greatest albums. Based on such rankings, the aggregate website Acclaimed Music lists The Dark Side of the Moon as the 19th most acclaimed album in history, the seventh most acclaimed of the s, and number one of albums from Several notable acts have covered the album live in its entirety, and a range of performers have used samples from The Dark Side of the Moon in their own material.
Jam-rock band Phish performed a semi-improvised version of the entire album as part their show on 2 November in West Valley City, Utah.
Dark Side of the Rainbow and Dark Side of Oz are two names commonly used in reference to rumours circulated on the Internet since at least that The Dark Side of the Moon was written as a soundtrack for the film The Wizard of Oz.
Observers playing the film and the album simultaneously have reported apparent synchronicities, such as Dorothy beginning to jog at the lyric "no one told you when to run" during "Time", and Dorothy balancing on a tightrope fence during the line "balanced on the biggest wave" in "Breathe".
From Wikipedia, the free encyclopedia. This article is about the album by Pink Floyd. For the far or hidden side of the Moon, see Far side of the Moon.
For other uses, see Dark Side of the Moon disambiguation. Pink Floyd. Waters' early demo recording of "Money", made in his garden shed.
This selection is taken from about two minutes forty seconds onwards. Although similar to the original demo track recorded by Waters, it is considerably more rock-orientated.
This is an excerpt from the start of the track. It felt like the whole band were working together. It was a creative time. We were all very open.
I think that when it was finished, everyone thought it was the best thing we'd ever done to date, and everyone was very pleased with it, but there's no way that anyone felt it was five times as good as Meddle , or eight times as good as Atom Heart Mother , or the sort of figures that it has in fact sold.
It was It's changed me in many ways, because it's brought in a lot of money, and one feels very secure when you can sell an album for two years.
But it hasn't changed my attitude to music. Even though it was so successful, it was made in the same way as all our other albums, and the only criterion we have about releasing music is whether we like it or not.
It was not a deliberate attempt to make a commercial album. It just happened that way. We knew it had a lot more melody than previous Floyd albums, and there was a concept that ran all through it.
The music was easier to absorb and having girls singing away added a commercial touch that none of our records had.
Main article: Dark Side of the Rainbow. Waters Richard Wright David Gilmour. Waters Gilmour Wright Mason. Wright Clare Torry [nb 11].
But, that didn't sell well, so what the hell. I was against Eclipse and we felt a bit annoyed because we had already thought of the title before Medicine Head came out.
Not annoyed at them but because we wanted to use the title. Retrieved 2 February Music: The Business 6th ed.
Random House. The Times. Retrieved 17 March Retrieved 16 March Retrieved 2 August Retrieved 27 September Retrieved 25 November Encyclopedia of Popular Music 5th ed.
Omnibus Press. Retrieved 13 August Tower Records. Archived from the original on 18 August Rolling Stone. Archived from the original on 18 June Retrieved 31 May Album available March 1.
Tour begins March 5. Archived from the original on 1 July Ultimate Classic Rock. Retrieved 27 April By condensing the sonic explorations of Meddle to actual songs and adding a lush, immaculate production to their trippiest instrumental sections, Pink Floyd inadvertently designed their commercial breakthrough with Dark Side of the Moon.
The primary revelation of Dark Side of the Moon is what a little focus does for the band. Roger Waters wrote a series of songs about mundane, everyday details which aren't that impressive by themselves, but when given the sonic backdrop of Floyd 's slow, atmospheric soundscapes and carefully placed sound effects, they achieve an emotional resonance.
But what gives the album true power is the subtly textured music, which evolves from ponderous, neo-psychedelic art rock to jazz fusion and blues-rock before turning back to psychedelia.
It's dense with detail, but leisurely paced, creating its own dark, haunting world. Pink Floyd may have better albums than Dark Side of the Moon , but no other record defines them quite as well as this one.
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This selection is taken from about two minutes forty seconds onwards. Rolling Stone. The track serves as an overture and contains cross-fades of elements from other pieces on the album. But what gives the album true power is the subtly textured music, which evolves from ponderous, neo-psychedelic art rock to jazz fusion and blues-rock The Walking Dead Staffel 6 Free Tv Deutschland turning back to psychedelia. They also purchased extra equipment, which included new speakers, a PA systema track mixing desk with a four channel quadraphonic output, and a custom-built lighting rig. URL consultato il 18 gennaio archiviato dall' url originale il 15 marzo Aggressive Bittersweet Druggy. 
Viele Fans bemängelten, dass nicht Alan Karl Ruprecht Kroenender Toningenieur der Abmischung vonfür diese Aufgabe herangezogen wurde. Und tatsächlich gelang es ihm, in den folgenden Monaten eine Reihe von Songtexten zu schreiben, die weltumspannende Themen wie Peter Brix, Isolation, die Herrschaft des Geldes und die Hektik der Gegenwart zu seinen eigenen, zutiefst persönlichen Erfahrungen in Beziehung setzten. Sein Drogenkonsum und seine psychischen Probleme waren für die Band nicht mehr tragbar. Italien FIMI. Zum Inhalt springen.
