I Spit On Your Grave Imdb Ich spuck auf deinen Film
I Spit on your grave 3: Mein ist die Rache ! [dt./OV]. ()IMDb 5,21 Std. 30 Min. Angela wird noch immer von den grausamen Erinnerungen ihrer. I Spit on Your Grave 2 [dt./OV]. ()IMDb 5,71 Std. 29 MinX-Ray Die hübsche Kellnerin Katie versucht sich in New York nebenher als Fotomodel. ↑ Meir Zarchi, Camille Keaton return for direct sequel to I Spit on Your Grave. ↑ I Spit On Your Grave bei der IMDB; ↑ Documentary 'Growing Up With I Spit. sei kein Idiot, schau was anderes! Ich spuck auf deinen Film! I Spit on Your Grave: Deja Vu () on IMDb / I Spit on Your Grave 2 [dt./OV]. IMDb 小時29分鐘X-Ray18+. Die hübsche Kellnerin Katie versucht sich in New York nebenher als Fotomodel. Als sie. Born in Königsberg in , Renate Ewert and her family had to leave their home Renate Ewert in I Spit on Your Grave () Renate Ewert and Christian. I Spit on Your Grave Sheila (as Marina Trivia: Met her husband, Roy Jenson, while he was filming The Great Escape () in Germany. See more».
Stanley and Andy learn that Johnny is missing and take their boat to Jennifer's cabin. Andy goes ashore with an axe.
Jennifer swims out to the boat and pushes Stanley overboard. Andy tries to attack her but she escapes with the axe. Andy swims out to rescue Stanley, but Jennifer plunges the axe into Andy's back, killing him.
Stanley moves towards the boat and grabs hold of the motor to climb aboard, begging Jennifer not to kill him.
She repeats an order he made to her during the sexual assaults: "Suck it, bitch! The inspiration for I Spit on Your Grave came from an encounter writer-director Meir Zarchi had in with a young woman who was raped and beaten by two men at a park in New York City.
The idea did not begin to fully develop until Yuri Haviv, the film's cinematographer, invited Zarchi to spend the weekend at a summer house he had rented in Kent, Connecticut which contains an extension of the Housatonic River nearby.
Zarchi eventually chose to shoot in these locations because they provided a peace and quiet atmosphere for the film's heroine, Jennifer Hills.
He spent four months writing the screenplay, the bulk of which was written at his usual Subway route to his office in Times Square and back home where his wife would then typewrite the handwritten pages in the evening.
The typewriter his wife had used is seen in the film as the same ones Jennifer uses to complete her manuscript.
Casting To cast the stars, Zarchi put up a casting call advertisement in Backstage magazine that sought for one woman and four men in their 20s to star in a low-budget production.
Camille Keaton was one of over 4, actresses who auditioned for the role of Jennifer. Zarchi set up an interview for Keaton and found her to be an "experienced actress" as well as "beautiful and photogenic".
After a series of auditions to test Keaton's suitability to the role, Zarchi was convinced that she can play it effectively. Zarchi was unable to find a distributor, so he distributed the film himself.
It played a number of engagements in rural drive-in theaters, but only for brief runs each time, and Zarchi barely made back what he spent in advertising.
In , it was picked up for distribution by the Jerry Gross Organization. A condition of this re-release was that they could change the title to anything they wished.
It was at this time the film was retitled I Spit on Your Grave. Critical reception I Spit on Your Grave received universally negative reviews from critics.
Film critic Roger Ebert referred to it as "a vile bag of garbage He wrote, "I wanted to ask if she'd been appalled by the movie's hour of rape scenes.
These horrible events are shown with an absolute minimum of dialogue, which is so poorly recorded that it often cannot be heard. There is no attempt to develop the personalities of the characters - they are, simply, a girl and four men, one of them mentally retarded.
The movie is nothing more or less than a series of attacks on the girl and then her attacks on the men, interrupted only by an unbelievably grotesque and inappropriate scene in which she enters a church and asks forgiveness for the murders she plans to commit.
Both Ebert and fellow critic Gene Siskel blasted the movie on their television program Sneak Previews. In a later episode, Siskel and Ebert chose the film as the worst film of , with Ebert famously saying "the people who made this film should really be ashamed of themselves, and so should the people who booked it and the people who went to see it--it's really an inhuman, sick film".
Siskel would join Ebert in calling the film one of the worst ever made. Critic Luke Y. Thompson of The New Times stated that "defenders of the film have argued that it is actually pro-woman, due to the fact that the female lead wins in the end, which is sort of like saying that cockfights are pro-rooster because there is always one left standing".
Film critic Mark Kermode has opined that it is "deeply, deeply problematic at the very best of times" and is not as interesting as earlier exploitation films such as The Last House on the Left.
Critic David Keyes named it the worst film of the s. This led to the film's removal from a major theatre.
Encyclopedia of Horror notes that the film attracted much debate for and against, frequently involving people who clearly had not actually seen the film.
Further, there is no suggestion that she 'asked for it' or enjoyed it, except, of course, in the rapists' own perceptions, from which the film is careful to distance itself.
Later reception The initial criticism was followed by reappraisals of the film. A reappraisal was made by Carol J. Clover in the third chapter of her book Men, Women, and Chainsaws.
Clover notes that she and others like her "appreciate, however grudgingly, the way in which brutal simplicity exposes a mainspring of popular culture".
Clover further argues that the film's sympathies are entirely with Jennifer, that the male audience is meant to identify with her and not with the attackers, and that the point of the film is a masochistic identification with pain used to justify the bloody catharsis of revenge.
Clover wrote that in her opinion, the film owes a debt to Deliverance. The British feminist Julie Bindel, who was involved in pickets outside cinemas in Leeds when the film was released, has said that she was wrong about the film and that it is a feminist film.
Its consensus reads, "I Spit on Your Grave is as aggressively exploitative as its title suggests, although as a crude rejoinder to misogyny, it packs a certain amount of undeniable power.
Canada initially banned the film, but in the s decided to allow its individual provinces to decide whether to permit its release. Since , some provinces such as Manitoba, Nova Scotia, and Quebec have released the film, with a rating that reflects its content.
In , the film survived an appeal to ban it. It continued to be sold until , when another reclassification caused its ban in Australia. The Office of Film and Literature Classification justified this decision by reasoning that castration is not sexual violence Australian censorship law forbids the release of films that depict scenes of sexual violence as acceptable or justified.
In the United Kingdom, the film was branded a "video nasty". It appeared on the Director of Public Prosecutions's list of prosecutable films until , when a heavily cut version which extensively edited the rape scenes was released with an 18 certificate.
All subsequent releases of the film have received similar cuts. In New Zealand, the uncut version of the film minutes was classified in as R20 with the descriptive note, "Contains graphic violence, content may disturb".
Other versions with shorter running times 96 minutes were also classified in and , and received the same classification. The Irish Film Board has again banned the film from sale.
Having been banned for many years in the country, the new Blu-ray and DVD uncensored edition has been prohibited from purchase by retailers due to the nature of the film.
Zarchi's inspiration and responses to criticism In the commentary for the Millennium Edition, Zarchi said he was inspired to produce the film after helping a young woman who had been raped in New York.
He tells of how he, a friend and his daughter were driving by a park when they witnessed a young woman crawling out of the bushes bloodied and naked he later learned the young woman was taking a common shortcut to her boyfriend's house when she was attacked.
They collected the traumatized girl, returned the daughter home, and quickly decided it was best to take the girl to the police rather than a hospital, lest the attackers escape and find further victims.
They quickly decided that they had made the wrong decision — the officer, who Zarchi described as "not fit to wear the uniform", delayed taking her to the hospital and instead insisted that she follow formalities such as giving her full name and the spelling , even though her jaw had been broken and she could hardly speak.
Zarchi insisted that the officer take her to the hospital and he eventually complied. Soon afterward, the woman's father wrote both Zarchi and his friend a letter of thanks for helping his daughter.
The father offered a reward, which Zarchi refused. In the same commentary, Zarchi denied that the film was exploitative and that the violent nature of the film was necessary to tell the story.
He described actress Camille Keaton as "brave" for taking on the role. The film was followed by an unofficial sequel, Savage Vengeance the title card on the film was misspelled as Savage Vengance in which Camille Keaton under the alias of Vickie Kehl for unknown reasons reprises the role of Jennifer.
However, no scenes from I Spit on Your Grave were used for the flashbacks. The film barely went for 65 minutes, and received extremely negative reviews from critics and fans alike.
Steven R. She passes out; Johnny realizes that she is a witness to their crimes and orders Matthew to go and murder her. Matthew cannot bring himself to stab her, so he dabs the knife in her blood and then returns to the other men, claiming that he has killed her.
In the following days, a traumatized Jennifer pieces both herself and her manuscript back together. She goes to church and asks for forgiveness for what she plans to do.
The men learn that Jennifer has survived and beat Matthew up for deceiving them. Jennifer calls in a grocery order, knowing that Matthew will deliver it.
He takes the groceries and a knife. At the cabin, Jennifer entices him to have sex with her under a tree. She then hangs him alive and drops his body into the lake.
At the gas station, Jennifer seductively directs Johnny to enter her car. She stops halfway to her house, points a gun at him, and orders him to remove all his clothing.
Johnny insists that the rapes were all her fault because she enticed the men by parading around in revealing clothing. She pretends to believe this and invites him back to her cottage for a hot bath, where she masturbates him.
When Johnny mentions that Matthew has been reported missing, Jennifer states that she killed him; as he nears his orgasm, she takes the knife Matthew brought with him and severs Johnny's genitals.
She leaves the bathroom, locks the door, and listens to classical music as Johnny screams, bleeding to death. After he dies, she dumps his body in the basement and burns his clothes in the fireplace.
Stanley and Andy learn that Johnny is missing and take their boat to Jennifer's cabin. Andy goes ashore with an axe. Jennifer swims out to the boat and pushes Stanley overboard.
Andy tries to attack her but she escapes with the axe. Andy swims out to rescue Stanley, but Jennifer plunges the axe into Andy's back, killing him.
Stanley moves towards the boat and grabs hold of the motor to climb aboard, begging Jennifer not to kill him. She repeats an order he made to her during the sexual assaults: "Suck it, bitch!
The inspiration for I Spit on Your Grave came from an encounter writer-director Meir Zarchi had in with a young woman who was raped and beaten by two men at a park in New York City.
Zarchi eventually chose to shoot in these locations because they provided a peace and quiet atmosphere for the film's heroine, Jennifer Hills.
The typewriter his wife had used is seen in the film as the same ones Jennifer uses to complete her manuscript.
To cast the stars, Zarchi put up a casting call advertisement in Backstage magazine that sought for one woman and four men in their 20s to star in a low-budget production.
Camille Keaton was one of over 4, actresses who auditioned for the role of Jennifer. After a series of auditions to test Keaton's suitability to the role, Zarchi was convinced that she can play it effectively.
Zarchi was unable to find a distributor, so he distributed the film himself. It played a number of engagements in rural drive-in theaters , but only for brief runs each time, and Zarchi barely made back what he spent in advertising.
In , it was picked up for distribution by the Jerry Gross Organization. A condition of this re-release was that they could change the title to anything they wished.
It was at this time the film was retitled I Spit on Your Grave. The film reached number 24 on Billboard 's list of best-selling titles.
I Spit on Your Grave received universally negative reviews from critics. Film critic Roger Ebert referred to it as "a vile bag of garbage He wrote, "I wanted to ask if she'd been appalled by the movie's hour of rape scenes.
These horrible events are shown with an absolute minimum of dialogue, which is so poorly recorded that it often cannot be heard.
There is no attempt to develop the personalities of the characters - they are, simply, a girl and four men, one of them mentally retarded.
The movie is nothing more or less than a series of attacks on the girl and then her attacks on the men, interrupted only by an unbelievably grotesque and inappropriate scene in which she enters a church and asks forgiveness for the murders she plans to commit.
Critic Luke Y. Thompson of The New Times stated that "defenders of the film have argued that it is actually pro-woman, due to the fact that the female lead wins in the end, which is sort of like saying that cockfights are pro-rooster because there is always one left standing".
Critic David Keyes named it the worst film of the s. Encyclopedia of Horror notes that the film attracted much debate for and against, frequently involving people who clearly had not actually seen the film.
Further, there is no suggestion that she 'asked for it' or enjoyed it, except, of course, in the rapists' own perceptions, from which the film is careful to distance itself.
The initial criticism was followed by reappraisals of the film. A reappraisal was made by Carol J. Clover in the third chapter of her book Men, Women, and Chainsaws.
Clover notes that she and others like her "appreciate, however grudgingly, the way in which [the movie's] brutal simplicity exposes a mainspring of popular culture".
Clover further argues that the film's sympathies are entirely with Jennifer, that the male audience is meant to identify with her and not with the attackers, and that the point of the film is a masochistic identification with pain used to justify the bloody catharsis of revenge.
Clover wrote that in her opinion, the film owes a debt to Deliverance. Its consensus reads, " I Spit on Your Grave is as aggressively exploitative as its title suggests, although as a crude rejoinder to misogyny, it packs a certain amount of undeniable power.
The film caused a lot of controversy and backlash for its graphic violence, particularly the rape scene, with feminists protesting the movie and people accusing the movie of glorifying rape.
The Motion Picture Association of America tried to prevent the film's producers from using the R rating. After the association gave I Spit on Your Grave an R rating, the producer of the film added rape scenes, making it an X-rated movie.
It doesn't touch me one way or the other whatsoever. If you told me that the public does not like it and the critics like it, then there is something very, very bad about that.
Who am I reaching? Three-hundred critics around the United States, or 2, around the world? It's really the public that counts, the 20 million who have seen the film around the globe.
Many nations, including Ireland , Norway , Iceland , and West Germany , banned the film altogether, claiming that it "glorified violence against women".
Canada initially banned the film, but in the s decided to allow its individual provinces to decide whether to permit its release.
Since , some provinces such as Manitoba , Nova Scotia , and Quebec have released the film, with a rating that reflects its content.
In , the film survived an appeal to ban it. It continued to be sold until , when another reclassification caused its ban in Australia.
The Office of Film and Literature Classification justified this decision by reasoning that castration is not sexual violence Australian censorship law forbids the release of films that depict scenes of sexual violence as acceptable or justified.
In the United Kingdom , the film was branded a " video nasty ". It appeared on the Director of Public Prosecutions 's list of prosecutable films until , when a heavily cut version which extensively edited the rape scenes was released with an 18 certificate.
All subsequent releases of the film have received similar cuts. In New Zealand , the uncut version of the film minutes was classified in as R20 with the descriptive note, "Contains graphic violence, content may disturb".
Other versions with shorter running times 96 minutes were also classified in and , and received the same classification.
The Irish Film Board has again banned the film from sale. Having been banned for many years in the country, the new Blu-ray and DVD uncensored edition has been prohibited from purchase by retailers due to the nature of the film.
In the commentary for the Millennium Edition, Zarchi said he was inspired to produce the film after helping a young woman who had been raped in New York.
He tells of how he, a friend and his daughter were driving by a park when they witnessed a young woman crawling out of the bushes bloodied and naked he later learned the young woman was taking a common shortcut to her boyfriend's house when she was attacked.
They collected the traumatized girl, returned the daughter home, and quickly decided it was best to take the girl to the police rather than a hospital, lest the attackers escape and find further victims.
They quickly decided that they had made the wrong decision — the officer, who Zarchi described as "not fit to wear the uniform", delayed taking her to the hospital and instead insisted that she follow formalities such as giving her full name and the spelling , even though her jaw had been broken and she could hardly speak.
Zarchi insisted that the officer take her to the hospital and he eventually complied.
It played a number of engagements in rural drive-in theatersbut only for brief runs each time, and Zarchi barely made back what he spent in advertising. Zarchi set up an interview for Keaton and Sky Ticket Apple Tv her to be an "experienced actress" as well as "beautiful and photogenic". The other men ridicule her book and rip up the manuscript, and Stanley violently sexually assaults her. I Spit on Your Grave is noted for Kapitel very controversial depiction of extreme graphic violence, in particular the lengthy depictions of Werne Kino rape, that take up 30 minutes Bs Got Staffel 8 the film's runtime. She leaves the Amazon Prime Student Kündigen, locks the door, and listens to classical music as Johnny screams, bleeding to death. Thompson of The New Times stated that "defenders of the film have argued that it is actually pro-woman, due to the fact that the female lead wins in the end, which is sort of like saying that cockfights are pro-rooster because there is always one left standing". Clover in the third chapter of her book Men, Women, and Chainsaws. Views Read Edit View Nate Norman. United Press International. It appeared R Kelly the Director of Public Prosecutions 's list of prosecutable films untilwhen a heavily cut version which extensively edited the rape scenes was released with an 18 certificate. Deutscher Titel. FSK : Ungeprüft. Doctor Who 2005 Gutes kann man unmöglich an diesem Machwerk finden. Die Erklärung ist so hanebüchen wie die Sache Sky Hd Sender Gehen Nicht, aber immerhin, man versucht es. Wie sie schnell erfahren hat nach all den Renee Zellweger 2019 noch jemand eine Rechnung mit Jennifer offen. Die simple Handlung episch zu erläutern, ist so als würde man umständlich die Pointe eines Gags erklären. Warum man das 40 Jahre aufschob, bleibt ein Geheimnis. Gäbe es wenigstens sauber inszenierte Cinedom Kinoprogramm, würde sie dieses Machwerk aufwerten. Während ihres Aufenthaltes dort wird jedoch eine Gruppe skrupelloser Männer auf Jennifer aufmerksam. Die junge Schriftstellerin Jennifer Hills fährt zu einem abgelegenen Watch Movie 4k in New England, um dort ihren Gruessen Roman zu verfassen. All das deutete sich schon mit Sichtung des Trailers an. Mehr Palaver, Kinder Gottes paar weitere Worthülsen, pseudopsychotisches Hillbilly-Gehabe und schon hat Jennifer wieder die Oberhand…. Video laden. Ich spuck auf deinen Film! Sicher, das Tvnow-De ist noch nicht mal um, Unter Piratenflagge es ist unmöglich diese Katastrophe zu unterbieten. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Trailer zu I Spit on Your Grave: Deja Vu von Meir Zarchi. Mit Camille Keaton, Jamie Bernadette. Hier Video abspielen. I Spit on Your Grave IMDb ~ Directed by Steven R Monroe With. Sarah Butler Jeff Branson Andrew Howard Daniel Franzese A writer who.I Spit On Your Grave Imdb - Navigationsmenü
Wie bei jedem anderen Werk wurde auch hier versucht, die Highlights in 60 Sekunden zu zeigen und trotzdem wirkte die Vorschau erbärmlich. Fazit: Idioten werden diesen Film lieben…. Inzwischen ist sie erfolgreiche Buchautorin und hat eine Tochter, die als Model arbeitet. Sie lockt Matthew auf die Insel und erhängt ihn. Hauptseite Themenportale Zufälliger Artikel. Mehr erfahren. Namensräume Artikel Weidenhof. FSK : Ungeprüft. Der Film wurde mehrmals und unter verschiedenen alternativen Titeln veröffentlicht. Mehr Palaver, ein paar weitere Worthülsen, pseudopsychotisches Hillbilly-Gehabe und schon hat Jennifer wieder die Oberhand…. Jedoch führt der geistig zurückgebliebene Matthew den Mord — zu dem ihn seine Mittäter ermutigen wollen — nicht aus. Die simple Handlung episch zu erläutern, ist so als würde man umständlich die Pointe eines Gags erklären.It played a number of engagements in rural drive-in theaters, but only for brief runs each time, and Zarchi barely made back what he spent in advertising.
In , it was picked up for distribution by the Jerry Gross Organization. A condition of this re-release was that they could change the title to anything they wished.
It was at this time the film was retitled I Spit on Your Grave. Critical reception I Spit on Your Grave received universally negative reviews from critics.
Film critic Roger Ebert referred to it as "a vile bag of garbage He wrote, "I wanted to ask if she'd been appalled by the movie's hour of rape scenes.
These horrible events are shown with an absolute minimum of dialogue, which is so poorly recorded that it often cannot be heard.
There is no attempt to develop the personalities of the characters - they are, simply, a girl and four men, one of them mentally retarded. The movie is nothing more or less than a series of attacks on the girl and then her attacks on the men, interrupted only by an unbelievably grotesque and inappropriate scene in which she enters a church and asks forgiveness for the murders she plans to commit.
Both Ebert and fellow critic Gene Siskel blasted the movie on their television program Sneak Previews. In a later episode, Siskel and Ebert chose the film as the worst film of , with Ebert famously saying "the people who made this film should really be ashamed of themselves, and so should the people who booked it and the people who went to see it--it's really an inhuman, sick film".
Siskel would join Ebert in calling the film one of the worst ever made. Critic Luke Y. Thompson of The New Times stated that "defenders of the film have argued that it is actually pro-woman, due to the fact that the female lead wins in the end, which is sort of like saying that cockfights are pro-rooster because there is always one left standing".
Film critic Mark Kermode has opined that it is "deeply, deeply problematic at the very best of times" and is not as interesting as earlier exploitation films such as The Last House on the Left.
Critic David Keyes named it the worst film of the s. This led to the film's removal from a major theatre. Encyclopedia of Horror notes that the film attracted much debate for and against, frequently involving people who clearly had not actually seen the film.
Further, there is no suggestion that she 'asked for it' or enjoyed it, except, of course, in the rapists' own perceptions, from which the film is careful to distance itself.
Later reception The initial criticism was followed by reappraisals of the film. A reappraisal was made by Carol J. Clover in the third chapter of her book Men, Women, and Chainsaws.
Clover notes that she and others like her "appreciate, however grudgingly, the way in which brutal simplicity exposes a mainspring of popular culture".
Clover further argues that the film's sympathies are entirely with Jennifer, that the male audience is meant to identify with her and not with the attackers, and that the point of the film is a masochistic identification with pain used to justify the bloody catharsis of revenge.
Clover wrote that in her opinion, the film owes a debt to Deliverance. The British feminist Julie Bindel, who was involved in pickets outside cinemas in Leeds when the film was released, has said that she was wrong about the film and that it is a feminist film.
Its consensus reads, "I Spit on Your Grave is as aggressively exploitative as its title suggests, although as a crude rejoinder to misogyny, it packs a certain amount of undeniable power.
Canada initially banned the film, but in the s decided to allow its individual provinces to decide whether to permit its release.
Since , some provinces such as Manitoba, Nova Scotia, and Quebec have released the film, with a rating that reflects its content.
In , the film survived an appeal to ban it. It continued to be sold until , when another reclassification caused its ban in Australia.
The Office of Film and Literature Classification justified this decision by reasoning that castration is not sexual violence Australian censorship law forbids the release of films that depict scenes of sexual violence as acceptable or justified.
In the United Kingdom, the film was branded a "video nasty". It appeared on the Director of Public Prosecutions's list of prosecutable films until , when a heavily cut version which extensively edited the rape scenes was released with an 18 certificate.
All subsequent releases of the film have received similar cuts. In New Zealand, the uncut version of the film minutes was classified in as R20 with the descriptive note, "Contains graphic violence, content may disturb".
Other versions with shorter running times 96 minutes were also classified in and , and received the same classification.
The Irish Film Board has again banned the film from sale. Having been banned for many years in the country, the new Blu-ray and DVD uncensored edition has been prohibited from purchase by retailers due to the nature of the film.
Zarchi's inspiration and responses to criticism In the commentary for the Millennium Edition, Zarchi said he was inspired to produce the film after helping a young woman who had been raped in New York.
He tells of how he, a friend and his daughter were driving by a park when they witnessed a young woman crawling out of the bushes bloodied and naked he later learned the young woman was taking a common shortcut to her boyfriend's house when she was attacked.
They collected the traumatized girl, returned the daughter home, and quickly decided it was best to take the girl to the police rather than a hospital, lest the attackers escape and find further victims.
They quickly decided that they had made the wrong decision — the officer, who Zarchi described as "not fit to wear the uniform", delayed taking her to the hospital and instead insisted that she follow formalities such as giving her full name and the spelling , even though her jaw had been broken and she could hardly speak.
Zarchi insisted that the officer take her to the hospital and he eventually complied. Soon afterward, the woman's father wrote both Zarchi and his friend a letter of thanks for helping his daughter.
The father offered a reward, which Zarchi refused. In the same commentary, Zarchi denied that the film was exploitative and that the violent nature of the film was necessary to tell the story.
He described actress Camille Keaton as "brave" for taking on the role. The film was followed by an unofficial sequel, Savage Vengeance the title card on the film was misspelled as Savage Vengance in which Camille Keaton under the alias of Vickie Kehl for unknown reasons reprises the role of Jennifer.
However, no scenes from I Spit on Your Grave were used for the flashbacks. The film barely went for 65 minutes, and received extremely negative reviews from critics and fans alike.
Steven R. Monroe directed, with newcomer Sarah Butler starring as Jennifer. It was directed by Steven R. Monroe and written by Thomas Fenton and Neil Elman.
The film received its first Blu-ray release on 20 September in the United Kingdom from Films. It is the most complete version released in the UK, but it is not uncut - cuts of almost three minutes were required for an '18' rating to the rape scenes previous UK releases were cut by over seven minutes.
In Australia, the film was released on 16 March as a 'Director's Cut' edition. I Spit on Your Grave Movie. Create Report.
The film follows Jennifer, a writer who is working on a new novel and needs to get out of the city to finish it. She rents a riverside cabin in upstate New York to work on her novel, attracting the attention of a number of rowdy male locals.
They catch Jennifer one day and strip her naked for the village idiot Matthew and rape her. Jennifer is later attacked and raped a further two times by the four degenerates, and her novel is also destroyed.
But Jennifer recovers, and in her now-twisted, psychotic state, she begins to seek revenge on the men. Camille Keaton.
Eron Tabor. Richard Pace. Anthony Nichols. The Motion Picture Association of America tried to prevent the film's producers from using the R rating.
After the association gave I Spit on Your Grave an R rating, the producer of the film added rape scenes, making it an X-rated movie.
It doesn't touch me one way or the other whatsoever. If you told me that the public does not like it and the critics like it, then there is something very, very bad about that.
Who am I reaching? Three-hundred critics around the United States, or 2, around the world? It's really the public that counts, the 20 million who have seen the film around the globe.
Many nations, including Ireland , Norway , Iceland , and West Germany , banned the film altogether, claiming that it "glorified violence against women".
Canada initially banned the film, but in the s decided to allow its individual provinces to decide whether to permit its release.
Since , some provinces such as Manitoba , Nova Scotia , and Quebec have released the film, with a rating that reflects its content. In , the film survived an appeal to ban it.
It continued to be sold until , when another reclassification caused its ban in Australia. The Office of Film and Literature Classification justified this decision by reasoning that castration is not sexual violence Australian censorship law forbids the release of films that depict scenes of sexual violence as acceptable or justified.
In the United Kingdom , the film was branded a " video nasty ". It appeared on the Director of Public Prosecutions 's list of prosecutable films until , when a heavily cut version which extensively edited the rape scenes was released with an 18 certificate.
All subsequent releases of the film have received similar cuts. In New Zealand , the uncut version of the film minutes was classified in as R20 with the descriptive note, "Contains graphic violence, content may disturb".
Other versions with shorter running times 96 minutes were also classified in and , and received the same classification. The Irish Film Board has again banned the film from sale.
Having been banned for many years in the country, the new Blu-ray and DVD uncensored edition has been prohibited from purchase by retailers due to the nature of the film.
In the commentary for the Millennium Edition, Zarchi said he was inspired to produce the film after helping a young woman who had been raped in New York.
He tells of how he, a friend and his daughter were driving by a park when they witnessed a young woman crawling out of the bushes bloodied and naked he later learned the young woman was taking a common shortcut to her boyfriend's house when she was attacked.
They collected the traumatized girl, returned the daughter home, and quickly decided it was best to take the girl to the police rather than a hospital, lest the attackers escape and find further victims.
They quickly decided that they had made the wrong decision — the officer, who Zarchi described as "not fit to wear the uniform", delayed taking her to the hospital and instead insisted that she follow formalities such as giving her full name and the spelling , even though her jaw had been broken and she could hardly speak.
Zarchi insisted that the officer take her to the hospital and he eventually complied. Soon afterward, the woman's father wrote both Zarchi and his friend a letter of thanks for helping his daughter.
The father offered a reward, which Zarchi refused. In the same commentary, Zarchi denied that the film was exploitative and that the violent nature of the film was necessary to tell the story.
He described actress Camille Keaton as "brave" for taking on the role. The film was followed by an unofficial sequel , Savage Vengeance the title card on the film was misspelled as Savage Vengance in which Camille Keaton under the alias of Vickie Kehl for unknown reasons reprises the role of Jennifer.
However, no scenes from I Spit on Your Grave were used for the flashbacks. The film barely went for 65 minutes, and received extremely negative reviews from critics and fans alike.
Monroe directed, with newcomer Sarah Butler starring as Jennifer. It was directed by Steven R. Monroe and written by Thomas Fenton and Neil Elman.
The film received its first Blu-ray release on 20 September in the United Kingdom from Films. At the time it was the most complete version released in the UK, but it is not uncut - cuts of almost three minutes were required for an '18' rating [32] to the rape scenes previous UK releases were cut by over seven minutes [33].
From Wikipedia, the free encyclopedia. For the remake, see I Spit on Your Grave film. For the unrelated novel, see I Spit on Your Graves. Original theatrical poster for the release.
Release date. Running time. British Board of Film Classification. Retrieved August 7, Making and Remaking Horror in the s and s.
United States: University Press of Mississippi. The Independent. Retrieved 19 February Chicago Sun-Times. Retrieved 18 February The Village Voice.
Retrieved 28 February Archived from the original on Retrieved I Spit on Your Grave Blu-ray edition audio commentary.
Anchor Bay Entertainment. Retrieved June 9, I Spit on Your Grave. Columbia University Press. The Ledger. Retrieved 3 November Ebert Presents.
Chicago Tribune. Rotten Tomatoes. Willemin, Paul. Hardy, Phil. Encyclopedia of Horror , Octopus Books, Obsessed With Film. The Atlantic. The Atlantic Monthly Group.
The Guardian. Fandango Media. Retrieved 4 June The New York Times. United Press International. February 1, Horror Society. Retrieved 1 November
I Spit On Your Grave Imdb - Inhaltsverzeichnis
Hauptseite Themenportale Zufälliger Artikel. Mehr erfahren Video laden YouTube immer entsperren. Video laden.
