
Humphrey Bogart Filme und Serien
Humphrey DeForest Bogart war ein US-amerikanischer Filmschauspieler. wählte ihn das American Film Institute zum „größten männlichen amerikanischen Filmstar aller Zeiten“. Humphrey DeForest Bogart (* Dezember in New York; † Januar in Los Angeles) war ein US-amerikanischer Filmschauspieler. wählte. Humphrey Bogart ist Legende. Die Männer schätzten seine Freundschaft, die Frauen fühlten sich zu ihm hingezogen, und dem Filmpublikum bietet er a. Finden Sie perfekte Stock-Fotos zum Thema Humphrey Bogart sowie redaktionelle Newsbilder von Getty Images. Wählen Sie aus erstklassigen Inhalten. Hier finden Sie alle News und Hintergrund-Informationen von ZEIT ONLINE zu Humphrey Bogart. Alles zu Humphrey Bogart (*) bei albors.eu · Hier findest du alle Filme von Humphrey Bogart, Biografie, Bilder und News · albors.eu von mehr als Ergebnissen oder Vorschlägen für DVD & Blu-ray: "Humphrey Bogart".

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Zum Verschieben des Motivs ziehen. Von Andreas Conrad Life In Pieces Holly Barrett. Weil er wegen schlechten Betragens von der Phillips Academy ausgeschlossen wurde, erlangte Bogart keinen Abschluss einer High School. Woody Harrelson. Er signalisiert Änderungen in Obamas Politik. Tyrese Gibson. Eine Kolumne von Josef Joffe Choose country.Humphrey Bogart Navigation menu Video
Casablanca (one of the best scenes)Favorite Actors. Favourite Dramatic Actors. My Favorite 30 Actors of All Time. My Favorite Actors. Do you have a demo reel?
Add it to your IMDbPage. How Much Have You Seen? How much of Humphrey Bogart's work have you seen? Won 1 Oscar.
Known For. Casablanca Rick Blaine. The African Queen Charlie Allnutt. Duke Mantee. Philip Francis Queeg.
Babyface Bogart. Jed Webbe. Ed Hutcheson. Martin Ferguson. Matthew "Matt" Brennan. Carrolls Geoffrey Carroll. Joe Gunn. Joe Rossi. John Wayne George C.
Joaquin Phoenix Categorias ocultas:! Imagem local diferente da no Wikidata. Wikimedia Commons Wikiquote.
Bogart em Oscar de Melhor Ator Estados Unidos. Marinha dos E. Primeira Guerra Mundial. The Maltese Falcon. All Through the Night.
The Big Shot. Action in the North Atlantic. Thank Your Lucky Stars. Passage to Marseille. To Have and Have Not. I Am an American [1].
Two Guys From Milwaukee. The Big Sleep. Never Say Goodbye. Dead Reckoning. The Two Mrs. Frederick De Cordova. The Treasure of the Sierra Madre.
Chain Lightning. The Enforcer. The African Queen. Deadline — U. The Caine Mutiny.
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Filmography by Job Trailers and Videos. Share this page:. Movie Anniversaries for January On Location: Los Angeles. Favorite Actors.
Favourite Dramatic Actors. My Favorite 30 Actors of All Time. My Favorite Actors. Do you have a demo reel? Add it to your IMDbPage. How Much Have You Seen?
How much of Humphrey Bogart's work have you seen? Won 1 Oscar. Known For. Casablanca Rick Blaine. The African Queen Charlie Allnutt.
Duke Mantee. Philip Francis Queeg. A Devil with Women. Body and Soul. Women of All Nations. A Holy Terror. Big City Blues. The Petrified Forest.
Two Against the World. China Clipper. The Great O'Malley. The Amazing Dr. Angels with Dirty Faces. Swingtime in the Movies.
King of the Underworld. The Oklahoma Kid. You Can't Get Away with Murder. The Roaring Twenties. The Return of Doctor X.
The Wagons Roll at Night. The Maltese Falcon. All Through the Night. Humphrey Bogart does the best work of his career as an actor.
Howard, who held the production rights, made it clear that he wanted Bogart to star with him. Robinson , who had star appeal and was due to make a film to fulfill his contract.
When Warner Bros. According to Variety , "Bogart's menace leaves nothing wanting". Nugent wrote for The New York Times that the actor "can be a psychopathic gangster more like Dillinger than the outlaw himself.
There must be something in my tone of voice, or this arrogant face—something that antagonizes everybody. Nobody likes me on sight. I suppose that's why I'm cast as the heavy.
In spite of his success, Warner Bros. His roles were repetitive and physically demanding; studios were not yet air-conditioned , and his tightly-scheduled job at Warners was anything but the indolent and "peachy" actor's life he hoped for.
Bogart used these years to begin developing his film persona: a wounded, stoical, cynical, charming, vulnerable, self-mocking loner with a code of honor.
Amenities at Warners were few, compared to the prestigious Metro-Goldwyn-Mayer. Bogart thought that the Warners wardrobe department was cheap, and often wore his own suits in his films; he used his dog, Zero, to play Pard his character's dog in High Sierra.
His disputes with Warner Bros. Leading men at Warner Bros. Most of the studio's better scripts went to them or others , leaving Bogart with what was left: films like San Quentin , Racket Busters , and You Can't Get Away with Murder His only substantial role during this period was in Dead End , on loan to Samuel Goldwyn , as a gangster modeled after Baby Face Nelson.
Bogart played violent roles so often that in Nevil Shute 's novel, What Happened to the Corbetts , the protagonist replies "I've seen Humphrey Bogart with one often enough" when asked if he knows how to operate an automatic weapon.
The studio cast Bogart as a wrestling promoter in Swing Your Lady , a " hillbilly musical" which he reportedly considered his worst film performance.
I wouldn't have minded so much. The trouble was they were drinking mine and I was making this stinking movie. After the play closed, Mary relented; she insisted on continuing her career, however, and they divorced in Bogart entered a turbulent third marriage to actress Mayo Methot , a lively, friendly woman when sober but paranoid and aggressive when drunk, on August 21, She became convinced that Bogart was unfaithful to her which he eventually was, with Lauren Bacall, while filming To Have and Have Not in She set their house afire, stabbed him with a knife, and slashed her wrists several times.
Bogart needled her; apparently enjoying confrontation, he was sometimes violent as well. The press called them "the Battling Bogarts".
We get on so well together because we don't have illusions about each other I wouldn't give you two cents for a dame without a temper.
He had a lifelong disdain for pretension and phoniness, [81] and was again irritated by his inferior films. Bogart rarely watched his own films and avoided premieres, issuing fake press releases about his private life to satisfy journalistic and public curiosity.
Bogart advised Robert Mitchum that the only way to stay alive in Hollywood was to be an "againster".
He was not the most popular of actors, and some in the Hollywood community shunned him privately to avoid trouble with the studios.
All over Hollywood, they are continually advising me, "Oh, you mustn't say that. That will get you in a lot of trouble," when I remark that some picture or writer or director or producer is no good.
I don't get it. If he isn't any good, why can't you say so? If more people would mention it, pretty soon it might start having some effect.
The local idea that anyone making a thousand dollars a week is sacred and is beyond the realm of criticism never strikes me as particularly sound. The Hollywood press, unaccustomed to such candor, was delighted.
The film was adapted from a novel by W. Burnett , author of the novel on which Little Caesar was based.
Walsh initially opposed Bogart's casting, preferring Raft for the part. It was Bogart's last major film as a gangster; a supporting role followed in The Big Shot , released in He worked well with Ida Lupino , sparking jealousy from Mayo Methot.
The film cemented a strong personal and professional connection between Bogart and Huston. Bogart admired and somewhat envied Huston for his skill as a writer; a poor student, Bogart was a lifelong reader.
He enjoyed intense, provocative conversation accompanied by stiff drinks , as did Huston. Both were rebellious and enjoyed playing childish pranks.
Huston was reportedly easily bored during production, and admired Bogart also bored easily off-camera for his acting talent and his intense concentration on-set.
Based on the Dashiell Hammett novel, it was first serialized in the pulp magazine Black Mask in and was the basis of two earlier film versions; the second was Satan Met a Lady , starring Bette Davis.
Wallis initially offered to cast George Raft as the leading man , but Raft more established than Bogart had a contract stipulating he was not required to appear in remakes.
Fearing that it would be nothing more than a sanitized version of the pre- Production Code The Maltese Falcon , Raft turned down the role to make Manpower with director Raoul Walsh.
Huston then eagerly accepted Bogart as his Sam Spade. Bogart was unusually happy with the film: "It is practically a masterpiece. I don't have many things I'm proud of Bogart played his first romantic lead in Casablanca : Rick Blaine, an expatriate nightclub owner hiding from a suspicious past and negotiating a fine line among Nazis , the French underground , the Vichy prefect and unresolved feelings for his ex-girlfriend.
Bosley Crowther wrote in his November New York Times review that Bogart's character was used "to inject a cold point of tough resistance to evil forces afoot in Europe today".
Bogart and Bergman's on-screen relationship was based on professionalism rather than actual rapport, although Mayo Methot assumed otherwise.
Off the set, the co-stars hardly spoke. Bergman who had a reputation for affairs with her leading men [94] later said about Bogart, "I kissed him but I never knew him.
Bogart is reported to have been responsible for the notion that Rick Blaine should be portrayed as a chess player, a metaphor for the relationships he maintained with friends, enemies, and allies.
He played tournament-level chess one division below master in real life, often enjoying games with crew members and cast but finding his better in Paul Henreid.
The film vaulted Bogart from fourth place to first in the studio's roster, however, finally overtaking James Cagney. It has several similarities to Casablanca : the same enemies, the same kind of hero, and a piano player played by Hoagy Carmichael.
Bogart was attracted by Bacall's high cheekbones, green eyes, tawny blond hair, lean body, maturity, poise and earthy, outspoken honesty; [] he reportedly said, "I just saw your test.
We'll have a lot of fun together". Their emotional bond was strong from the start, their age and acting-experience differences encouraging a mentor-student dynamic.
In contrast to the Hollywood norm, their affair was Bogart's first with a leading lady. However, Hawks began to disapprove of the relationship.
Not usually drawn to his starlets, the married director also fell for Bacall; he told her that she meant nothing to Bogart and threatened to send her to the poverty-row Monogram Pictures.
Bogart calmed her down, and then went after Hawks; Jack Warner settled the dispute, and filming resumed.
Chandler admired the actor's performance: "Bogart can be tough without a gun. Also, he has a sense of humor that contains that grating undertone of contempt.
At director Howard Hawks' urging, production partner Charles K. Feldman agreed to a rewrite of Bacall's scenes to heighten the "insolent" quality which had intrigued critics such as James Agee and audiences of the earlier film, and a memo was sent to studio head Jack Warner.
The dialogue, especially in the added scenes supplied by Hawks, was full of sexual innuendo , and Bogart is convincing as private detective Philip Marlowe.
The film was successful, although some critics found its plot confusing and overly complicated. Bogart filed for divorce from Methot in February Bogart's drinking was sometimes problematic.
He found the sea a sanctuary [] and spent about thirty weekends a year on the water, with a particular fondness for sailing around Catalina Island : "An actor needs something to stabilize his personality, something to nail down what he really is, not what he is currently pretending to be.
The suspenseful Dark Passage was Bogart and Bacall's next collaboration. Bogart and Bacall's last pairing in a film was in Key Largo Directed by John Huston, Edward G.
Robinson was billed second behind Bogart as gangster Johnny Rocco: a seething, older synthesis of many of his early bad-guy roles. The characters are trapped during a hurricane in a hotel owned by Bacall's father-in-law, played by Lionel Barrymore.
Riding high in with a new contract which provided limited script refusal and the right to form his production company, Bogart rejoined with John Huston for The Treasure of the Sierra Madre : a stark tale of greed among three gold prospectors in Mexico.
Lacking a love interest or a happy ending, it was considered a risky project. The film was shot in the heat of summer for greater realism and atmosphere, and was grueling to make.
Bogart complained, "An intelligent script, beautifully directed—something different—and the public turned a cold shoulder on it.
He wrote an article, "I'm No Communist", for the March issue of Photoplay magazine distancing himself from the Hollywood Ten to counter negative publicity resulting from his appearance.
Bogart created his film company, Santana Productions named after his yacht and the cabin cruiser in Key Largo , in In addition to pressure from freelancing actors such as Bogart, James Stewart and Henry Fonda , they were beginning to buckle from the impact of television and the enforcement of antitrust laws which broke up theater chains.
Except for Beat the Devil , originally distributed in the United States by United Artists , [] the company released its films through Columbia Pictures ; Columbia re-released Beat the Devil a decade later.
Although most lost money at the box office ultimately forcing Santana's sale , at least two retain a reputation; In a Lonely Place is considered a film-noir high point.
Bogart plays Dixon Steele, an embittered writer with a violent reputation who is the primary suspect in the murder of a young woman and falls in love with failed actress Laurel Gray Gloria Grahame.
According to Brooks, the film "gave him a role that he could play with complexity, because the film character's pride in his art, his selfishness, drunkenness, lack of energy stabbed with lightning strokes of violence were shared by the real Bogart".
The character mimics some of Bogart's personal habits, twice ordering the actor's favorite meal ham and eggs.
Co-written by Truman Capote , the eccentrically-filmed story follows an amoral group of rogues chasing an unattainable treasure.
The C. Forester novel on which it was based was overlooked and left undeveloped for 15 years, until producer Sam Spiegel and Huston bought the rights.
Spiegel sent Katharine Hepburn the book; she suggested Bogart for the male lead, believing that "he was the only man who could have played that part".
Bogart was to get 30 percent of the profits and Hepburn 10 percent, plus a relatively-small salary for both. The stars met in London, and announced that they would work together.
Bacall came for the over-four-month duration, leaving their young son in Los Angeles. She Luxed my undies in darkest Africa.
Whenever a fly bit Huston or me, it dropped dead. Bogart resisted Huston's insistence on using real leeches in a key scene where Charlie has to drag his steam launch through an infested marsh, and reasonable fakes were employed.
His performance as cantankerous skipper Charlie Allnutt earned Bogart an Academy Award for Best Actor in his only award of three nominations , and he considered it the best of his film career.
When Bogart won, however, he said: "It's a long way from the Belgian Congo to the stage of this theatre. It's nicer to be here. Thank you very much No one does it alone.
As in tennis, you need a good opponent or partner to bring out the best in you. John and Katie helped me to be where I am now. The result: A lot of dull performances in dull pictures.
Though he retained some of his old bitterness about having to do so, [] he delivered a strong performance in the lead; he received his final Oscar nomination and was the subject of a June 7, Time magazine cover story.
Despite his success, Bogart was still melancholy ; he grumbled to and feuded with the studio, while his health began to deteriorate.
The character of Queeg was similar to his roles in The Maltese Falcon , Casablanca and The Big Sleep —the wary loner who trusts no one—but without their warmth and humor.
Like his portrayal of Fred C. Dobbs in The Treasure of the Sierra Madre , Bogart's Queeg is a paranoid, self-pitying character whose small-mindedness eventually destroys him.
Henry Fonda played a different role in the Broadway version of The Caine Mutiny , generating publicity for the film.
For Sabrina , Billy Wilder wanted Cary Grant for the older male lead and chose Bogart to play the conservative brother who competes with his younger, playboy sibling William Holden for the affection of the Cinderella-like Sabrina Audrey Hepburn.
Although Bogart was lukewarm about the part, he agreed to it on a handshake with Wilder without a finished script but with the director's assurance that he would take good care of Bogart during filming.
Wilder was the opposite of Bogart's ideal director John Huston in style and personality; Bogart complained to the press that Wilder was "overbearing" and "is [a] kind of Prussian German with a riding crop.
He is the type of director I don't like to work with I got sick and tired of who gets Sabrina. Joseph L. Mankiewicz 's The Barefoot Contessa was filmed in Rome.
In this Hollywood backstory Bogart is a broken-down man, a cynical director-narrator who saves his career by making a star of a flamenco dancer modeled on Rita Hayworth.
He was uneasy with Ava Gardner in the female lead; she had just broken up with his Rat Pack buddy Frank Sinatra , and Bogart was annoyed by her inexperienced performance.
The actor was generally praised as the film's strongest part. When Bacall found them together, she extracted an expensive shopping spree from her husband; the three traveled together after the shooting.