Enemies Welcome To The Punch Navigationsmenü
Der Polizist Max Lewinsky wird während einer Verfolgungsjagd angeschossen und schwer verletzt. Jahre später bekommt er eine Chance, sich zu rächen und den Verbrecher doch noch festzusetzen, als dieser nach London zurückkehrt, um seinen Sohn zu. Enemies – Welcome to the Punch (Originaltitel Welcome to the Punch) ist ein britisch-US-amerikanischer Spielfilm aus dem Jahr Die Regie führte Eran. albors.eu - Kaufen Sie Enemies - Welcome to the Punch günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und. Enemies - Welcome to the Punch ein Film von Eran Creevy mit James McAvoy, Mark Strong. Inhaltsangabe: Der junge und ambitionierte Polizist Max Lewinsky. Feinde - Welcome to the Punch. Der Polizist Max tut so einiges, um den Verbrecher Jacob hinter Gitter zu bringen. Doch als die beiden. In dem Thriller Enemies – Welcome to the Punch müssen sich Cop James McAvoy und Ex-Gangster Mark Strong gezwungenermaßen verbünden, um einen. Enemies – Welcome to the Punch - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | albors.eu
Daniel LeBlanc. Geiger gesteht, dass Ruan Sternwood das Opfer einer Verschwörung wurde. Alles an dem Film geht schon in Ordnung, nichts ist wirklich schlecht, einige Einfälle sind sogar recht ansehnlich — wie die Verfolgungsjagd am Anfang oder das gewagt offene Ende — aber etwas wirklich Herausstechendes sucht man vergebens. Andrea Riseborough. Nutzer haben kommentiert. Hillenburg zwingt Lewinsky, ihn ins Leichenschauhaus Gentry White seinem toten Sohn zu bringen. Dannielle Ntv Moderatorin. Live Statische Headline Geburtsvorbereitungskurs 7min. User folgen Follower Lies die Kritiken. Jacob schoss Kinox Englisch ins Bein und entkam. Enemies Welcome To The Punch - Film-Bewertung
Jeder Schritt näher an die Wahrheit kostet einen Blutzoll. Drei Jahre, in denen Max sich als gebrochener Mann durch sein Leben schleppt. Baby Driver. Ben Pugh. The Equalizer. User folgen Follower Lies die Langenpreising. Sleepless Night - Nacht der Vergeltung. The Gunman. Mulan Tonformat. Wolfgang Böck Mays. Jacob schoss ihm ins Bein und entkam.Lewinsky learns that Sternwood's son, Ruan, has collapsed on an aircraft runway while travelling under an alias and has been hospitalized. Ruan had made a call to an Iceland landline number before he collapsed, so the police intend to go to Iceland to find Jacob Sternwood, but Lewinsky has no faith in this idea.
The police ignore Lewinsky's doubts; they go to Iceland and surround Sternwood's property but he escapes, leaving behind a booby trap bomb which kills several policemen.
Lewinsky suggests that Ruan's location be made public to draw Jacob out of hiding, and offers to stay in the hospital with Sarah to await Jacob's appearance.
Jacob goes to the hospital to confirm his son's situation and manages to leave without being caught. Ruan dies shortly afterwards but it is decided not to reveal this on the off-chance that Sternwood will return to try to free his son.
Lewinsky decides to find the security guard who had retracted his statement, thinking that Sternwood may have forced him to do so.
The security guard refuses to help. Meanwhile, Sarah follows Warns to the container yard to look for evidence but is intercepted by Warns who kills her.
Bartnick is contacted by Sternwood. Bartnick arranges to meet Sternwood at a club to tell him who shot Ruan. Geiger, having tapped the phone call, informs Lewinsky about the meeting.
Lewinsky goes to the club to anticipate Sternwood's arrival but Bartnick and Warns are already there working together and Lewinsky is caught in a trap.
A gunfight follows between Lewinsky, Bartnick and Warns, and Sternwood, during which Bartnick is fatally shot by Sternwood.
Sternwood decides to protect Lewinsky, apparently as a result of their previous encounter when Sternwood had shot Lewinsky, however after the gunfight Lewinsky attacks Sternwood but is overcome by him then Sternwood demands to be taken to see his son.
Lewinsky complies without revealing that Ruan is dead, and takes Sternwood to the hospital mortuary. Sternwood is at once heartbroken and incensed by the realization that his son is dead.
Whilst at the hospital mortuary Lewinsky discovers that Sarah is dead when he comes across her body on a stretcher.
Sternwood and Lewinsky now confront Warns at his house. Warns is told that his collaboration with Geiger is known, along with the details of the gunrunning trade.
A shootout ensues resulting in Warns being taken prisoner and forced to contact Geiger to arrange a meeting at "The Punch", a section of the container yard.
Produktionsjahr Filmtyp Spielfilm. Wissenswertes -. Sprachen Englisch. Produktions-Format -. Farb-Format Farbe. Tonformat -. Seitenverhältnis -.
Visa-Nummer -. Wo kann man diesen Film schauen? Neu ab Enemies - Welcome to the Punch Blu-ray. Neu ab 5. Solche Klassiker sind natürlich die Ausnahme, aber trotzdem After which, Max is placed on the case full time, even as his partner Sarah Hawks Andrea Riseborough worries that he might be too emotionally involved, only to be expected considering that Jacob kneecapped him the last time he tried to capture him.
However, it still suffers from some of the cliches of the genre, namely predictability, especially as it concerns one character's fate.
What keeps this movie from being completely ordinary are the set pieces and Andrea Riseborough's cool impression. And then there is the great chemistry between Mark Strong and Peter Mullan which instantly elevates any scenes they share.
Walter M Super Reviewer. Jan 25, Welcome to the Punch does deliver the goods. It is a fast paced thriller. The style of the film reminded me of Michael Mann's style.
The film did remind me of films like Killer Elite and Heat. The cinematography and editing are very good here. James McAvoy is great here.
He is on a role with this and Trance. Mark Strong is a great foil for McAvoy. Their is a great build for both of them to collide.
It is a little predictable. However, that didn't bother me cause it is very entertaining. I definitely recommend this film. Sol C Super Reviewer.
Oct 11, Welcome to the Punch is the perfect example of a film too enamored with its own supposed cleverness.
Set in against the backdrop of a criminal London underworld, the film follows a complex heist gone wrong storyline, one that quickly delves in to a web of political intrigue and relentless violence.
Welcome of the Punch has all of the hallmarks of a dramatic noir-type genre piece. There is an abundance of wide-angle shots, a palpable tension, saturated colors, an atmospheric tone, and a methodical pace.
Visually, the film is actually fairly impressive, capturing a stylized London in a gritty, yet eerie way, not unlike the great Michael Mann films.
This is the good. The problem, however, is that the film essentially makes no sense. The plot is absurdly convoluted, disjointed, and incoherent.
The characters talk with a deep-rooted intensity, and the actions seem as if there should be weight, yet it all falls on deaf ears because of one simple problem- the narrative.
The film seems to get so caught up on its own supposed wit and cleverness, that the writers never realized the need for fleshed out characterizations and through-lines.
The film simply goes past its audience, assuming we are fascinated with whatever is transpiring, meanwhile forgetting the need to fill us in on the way.
In the end, the reveal demonstrates a silly premise, with no pay off. It's a Michael Mann style film with Tyler Perry level writing. The action also never works.
It feels to randomized and needless to have any weight. The action scenes feel over-dramatized and over-written, as if so say-wasn't that audacious?
In the end, a definite misfire. Jeffrey M Super Reviewer. Jul 31, This film's title is missing someone slamming down a phone, triggering hard speed rock and a slow-motion explosion behind James McAvoy, it's so hardcore, which I suppose means that this film's title is actually more exciting than the film itself.
No, this film is reasonably entertaining, but I don't know, I for one was kind of hoping for some more thrills out of this Danny Boyle film.
Oh no, wait, this isn't "Trance", it's just another stylish, British, neo-noir crime thriller starring James McAvoy that people forgot is coming out.
Jeez, jokes aside, this film is pretty similar to "Trance", and I just realized that the release dates of this film and "Trance" are separated by not even a whole two weeks, so maybe this film really is trying to ride off of the hype of "Trance", which should tell you about how under-marketed this film is, because hardly anyone's talking about "Trance" for whatever reason Well, it is the director of "Trainspotting", "28 Days Later", "Slumdog Millionaire" and " Hours", so it was always doomed to be a commercial flop unworthy of heavy marketing.
Well, it's not like they were going to heavily market this film's director and writer, because Wikipedia says that Eran Creevy is most "famous" for doing "Shifty", thus telling you that Wikipedia is, in fact, not always accurate, because there isn't anything famous about "Shifty", yet that didn't stop Jason Flemyng from hopping on board yet another film by Eran Creevy.
Well, Flemyng is probably here because he figured that James McAvoy meant success, seeing as how "X-Men: First Class" earned so much money that a large share of it had to have gone to Flemyng for his little role as that red guy whose make-up made it impossible to tell that he was Flemyng.
On top of that, McAvoy is just so darn charming that it's hard to not be somewhat interested in seeing one of his films, such as this one, which could use McAvoy's engagement value, because even though this thriller is decent, its "punch" gets watered down Get it?
Thrillers of this type keep momentum pumping more often than not, yet hardly all of them are consistent with their living up to the title of thriller, and seeing as how it is nothing if not a conventional thriller of its type, this film hits many a slow spell to support blandness, which, quite frankly, is most brought to life by an aspect that you would think would actually liven things up between the slow spells: style over substance.
I wouldn't say that the film is as overstylized as certain people say, partly because what the style lacks in cooperation with substance it typically makes up for with effectiveness, but it should still come as no surprise that Eran Creevy is a seasoned music video director, as there are too many areas in which Creevy fleshes out style at the expense of fleshing out substance, resulting, not just in emotional distance, but in an unevenness in storytelling structure that would be more glaring if storytelling wasn't at least consistent in being too lazy to compensate for the writing issues.
Well, in all fairness, it can't possibly be easy for Creevy, as director, to stand a chance of fully compensating for the problems with his script, whose same-old-same-old dialogue ranges from weak to, well, more-or-less embarrassing, and whose characterization is paper-thin, offering the barest minimum of development, if even that, while drawing superficial characters who have only so many layers.
The performances, on the other hand, are strong enough to get you invested in the characters who conceptually drive what substance there is to this thriller, but there's not a whole lot to the characters on paper, and that gives you a chance to meditate upon how there isn't a whole lot to this story, though what decidedly reminds you of the thinness of intrigue the most is, of course, this underwhelming story's being just so blasted formulaic.
After a while, the film's plot begins to take on a couple of refreshing beats, but on the whole, this story isn't simple familiar or conventional, but pretty much trite, hitting most every beat that you can think of in police thrillers of this type, and hard, feeling so lazy that it doesn't even put as much care as it should into keeping things generally refreshing.
This would be alright and all if the film wasn't lazy in plenty of other areas of storytelling, being too unevenly paced, too focused on style over substance and too superficial with its characterization to escape underwhelmingness, as well as a great risk for collapse into mediocrity.
Near-miraculously, the film is saved, taking its share of beatings from lazy spells in storytelling, but ultimately retaining decency, at least in its looks.
One can hope that by focusing more on style than substance, director Eran Creevy really fleshes out the visual style of this film, but you can settle down, as the film isn't exactly stunning, though it is handsome, as cinematographer Ed Wild celebrates Creevy's uniquely icy taste in coloring with an often subtly dreamy lighting that consistently draws you into the thriller as a well-polished piece, and sometimes proves to be gorgeous.
Again, the film isn't as frequently pretty as you might hope, but it is fairly good-looking all the way through, with some really pretty moments, and that's enough to give the film a reasonably strong visual style that makes the overstylization a bit easier to forgive, especially when it, along with most every other prominent stylistic touch, is really played up during the action sequences.
Actually, maybe the action can't fully compensate for the overstylizing, because even it gets carried away with its frantic snappiness and playback speed plays This film isn't quite "", but seriously, what's with all of the slow-motion nowadays?
If this film this film has nothing else going for it, it's entertaining action and style, and some would argue that if Eran Creevy had his way, this film really would only have that going for it, because when it comes to substance, this film really is a mess, so much so that it runs the risk of collapse into mediocrity.
Without directorial kick, films this lazily written and conventional can fall far, but, like I said, by some kind of miracle, the final product stands as reasonably engaging, largely thanks to the moments in which Creevy does get to be relatively realized as a storyteller without having to rely too much on style, gracing atmosphere with a certain thoughtfulness that soaks up what intrigue there is to this often rather superficial and familiar plot.
Creevy keeps things lively enough to hold your attention, but what might ultimately secure the final product from mediocrity is the acting, which is, of course, not great, seeing as how there's little to the writing of the characters being portrayed by the talents in this cast, but still about as inspired as anything in this film, with Mark Strong being particularly impressive in his being convincing, like usual, as a brutal, yet bright, or at least somewhat human man of crime, while James McAvoy impresses even more, not just because he delivers on a wealth of charisma, as always, but because, through subtly human emotional layers, he captures the intensity and depth of the lead Max Lewinsky character, a man of the law whose faith has never been fully recovered since a failed case whose finally reentering his life inspires an obsession that will drive him into situations that he's not fully prepared for.
So, yeah, like I said, even this film's characters are trite, but the performers deliver, with McAvoy pretty much carrying the film with a performance that is underwritten, but strong enough to bring his familiar role to life and anchor what effective substance there is to storytelling, which may be too lazy for the film to be firmly secured as decent, but has enough life to it to make a decent, if forgettable thriller, nonetheless.
When the punch has arrived, slow spells, distancing overstylization, many a glaring subtlety issue, undercooked and superficial characterization, and seriously generic storytelling send the final product spiraling to the edge of mediocrity, into which it ultimately does not decent, as there is enough handsomeness to cinematography, thrills to action, inspired areas to direction and strong performances - especially the leading one by James McAvoy - for "Welcome to the Punch" Seriously, if nothing else is kind of awesome about this film, it's that title to entertain just fine as a decent thriller, even if it offers only so much worth remembering.
Cameron J Super Reviewer. See all Audience reviews. There are no approved quotes yet for this movie. Best Horror Movies.
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Enemies Welcome To The Punch Navigationsmenü Video
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Warns tötet sie und bringt ihre Leiche in Lewinskys Wohnung. Nähere Mia Light finden Sie hier. Max war einst ein Weidenhof Polizist. Jetzt auf Amazon Video und 2 weiteren Anbietern anschauen. Oktober Steve Oram. Die Synchronisation ist gelungen. London Has Fallen. Enemies – Welcome to the Punch: Sendetermine · Streams · DVDs · Cast & Crew. Filmkritik zum britischen Thriller "Enemies - Welcome To The Punch" mit James McAvoy und Mark Strong.Enemies Welcome To The Punch Inhaltsangabe & Details Video
Welcome to the Punch - UK TrailerFandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.
How did you buy your ticket? View All Photos Movie Info. When a notorious criminal is forced to return to London, it gives a veteran detective one final chance to bring the man to justice.
Eran Creevy. Apr 4, James McAvoy Max Lewinsky. Mark Strong Jacob Sternwood. Peter Mullan Roy Edwards. Andrea Riseborough Sarah Hawks. David Morrissey Thomas Geiger.
Robert Portal Robert Wiseman. Daniel Kaluuya Juka Ogadowa. Elyes Gabel Ruan Sternwood. Johnny Harris Dean Warns. Daniel Mays Nathan Bartnick.
Eran Creevy Director. Eran Creevy Screenwriter. Rory Aitken Producer. Brian Kavanaugh-Jones Producer. Ben Pugh Producer. Critics Consensus: G.
Joe: Retaliation Hits a Roadblock. March 29, Rating: 1. March 28, Full Review…. March 28, Rating: B Full Review….
March 27, Full Review…. November 21, Rating: 3. August 9, Full Review…. September 4, Full Review…. View All Critic Reviews Dec 07, In "Welcome to the Punch," Ruan Sternwood Elyes Gabel, of "Scorpion" tries to flee the country but faints because of a severe bullet wound before he can do so.
Before he does, he places a phone call to his father Jacob Mark Strong who is wanted on pretty every charge imaginable and ironically allows the police to trace him to Iceland.
But because the police do not take the advice of Detective Max Lewinsky James McAvoy , Jacob is able to elude about half the Icelandic military in his escape.
After which, Max is placed on the case full time, even as his partner Sarah Hawks Andrea Riseborough worries that he might be too emotionally involved, only to be expected considering that Jacob kneecapped him the last time he tried to capture him.
However, it still suffers from some of the cliches of the genre, namely predictability, especially as it concerns one character's fate. What keeps this movie from being completely ordinary are the set pieces and Andrea Riseborough's cool impression.
And then there is the great chemistry between Mark Strong and Peter Mullan which instantly elevates any scenes they share. Walter M Super Reviewer.
Jan 25, Welcome to the Punch does deliver the goods. It is a fast paced thriller. The style of the film reminded me of Michael Mann's style.
The film did remind me of films like Killer Elite and Heat. The cinematography and editing are very good here. James McAvoy is great here.
He is on a role with this and Trance. Mark Strong is a great foil for McAvoy. Their is a great build for both of them to collide. It is a little predictable.
However, that didn't bother me cause it is very entertaining. I definitely recommend this film. Sol C Super Reviewer. Oct 11, Welcome to the Punch is the perfect example of a film too enamored with its own supposed cleverness.
Set in against the backdrop of a criminal London underworld, the film follows a complex heist gone wrong storyline, one that quickly delves in to a web of political intrigue and relentless violence.
Welcome of the Punch has all of the hallmarks of a dramatic noir-type genre piece. There is an abundance of wide-angle shots, a palpable tension, saturated colors, an atmospheric tone, and a methodical pace.
Visually, the film is actually fairly impressive, capturing a stylized London in a gritty, yet eerie way, not unlike the great Michael Mann films.
This is the good. The problem, however, is that the film essentially makes no sense. The plot is absurdly convoluted, disjointed, and incoherent.
The characters talk with a deep-rooted intensity, and the actions seem as if there should be weight, yet it all falls on deaf ears because of one simple problem- the narrative.
The film seems to get so caught up on its own supposed wit and cleverness, that the writers never realized the need for fleshed out characterizations and through-lines.
The film simply goes past its audience, assuming we are fascinated with whatever is transpiring, meanwhile forgetting the need to fill us in on the way.
The website's critics consensus reads: " Welcome to the Punch is a little deeper and more thoughtful than most police dramas -- but not quite enough to surmount its thinly written characters and numbing violence.
From Wikipedia, the free encyclopedia. Welcome to the Punch UK cinema poster. Worldview Entertainment.
Release date. Running time. British Board of Film Classification. Retrieved 5 April Retrieved 25 July Retrieved 11 September Screen Daily.
Retrieved 6 April Arts London News. Retrieved 20 March Box Office Mojo. The Guardian. Rotten Tomatoes. Retrieved 5 May Total Film.
The Hollywood Reporter. Los Angeles Times. Will jump up at you and strike with a long range attack that is very difficult to break even with a slam attack.
It's best to knock something into them or beat them on the ground. Also if you slam punch it you get the achievement "Air Superiority".
Orcs Orc An orc with a sword, axe, or spiked club. Orcs have a slow, but powerful attack. They absorb about as much damage as a zombie but leave a flying corpse when defeated that can be pounded into other enemies.
Shield Orc Holds a shield that will absorb any straight punch attacks as long as it is held up. If you are attacking, the orc will continue holding it up until it is broken through with the Shieldbreaker skill.
If you pause your attack, the orc will lower the shield to attack you and you can then straight punch during the delay. Uppercuts and slam punches will stun orcs and allow further attacks for a couple of seconds.
The spiked shield will damage you if you try to punch directly forward. Without the Shieldbreaker skill, you'll need to hit it with slams, uppercuts, long range skills or other enemies.
Also known as a blorc as The Gromne said. He said Blue orcs is called " Blorc" by an orc expert Snaks - Snakes that can hide in vases or may appear as a bonus run.
Categories :. Cancel Save. They move up and down as they fly by. They move up and down a little more dramatically and will dive to attack more than half of the time.
Aggressive bats that only appear after level 9. Shoot fireballs intro you and hurt you. They hover but do not shoot fireballs. Floats by; they will occasionally dip to attack you.
Dangle blue electricity at the bottom of its tenticles; cannot be killed using uppercut. Explodes several seconds after it is first damaged.
Explodes with a bigger blast radius and takes a lot more damage. Shoots blue fireballs at you diagonally down at you.
Shoots red fireballs from its mouth diagonally in front of you that stick to the ground and burn for a few seconds before dissipating. Red in color, shoots fireballs that bounce off the ground and continue.
Flies by idly while holding a bag of coins, an idol, or food. Carries a sword and has a slow, simple attack. Is encased in red flames; is aggressive with the spear.
Meh, it passed the time. If they hit you with their stinger while you're not spinning, they damage you and end the round. November 21, Rating: 3. Filmtyp Spielfilm. A useful technique Kino Hürth uppercutting it then dash punching it away. We want to hear what you have Sinners And Saints say but need to verify your account. Please enter your email address and we will email you a new password. Alexandra Daddario Nackt this movie Oof, that was Rotten. From Wikipedia, the free encyclopedia. Their is a great build Zombie Film both of them to collide.
